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Description

Brooklyn drill is a New York–born branch of drill that fuses the ominous, half‑time bounce of UK drill with the swagger and street reportage of East Coast hip hop. It is defined by sliding 808 bass lines, skittering and stuttering hi‑hat rolls, sparse minor‑key melodies, and a hard, syncopated kick pattern that creates a menacing forward push.

Vocals are typically aggressive and percussive, often delivered slightly behind the beat to heighten tension. Lyrics focus on neighborhood identity, crews and rivalries, status, and street survival, frequently punctuated by shouted ad‑libs. The overall sound is cold, cinematic, and anthemic, optimized for both street cyphers and club sound systems.

History
Origins (mid–late 2010s)

Brooklyn drill emerged in the late 2010s in Brooklyn, New York, when local rappers began adopting the darker, more spacious production style of UK drill. Early catalysts included 22Gz and Sheff G, whose 2016–2018 tracks signaled a shift from Chicago-style drill to UK-inspired beat aesthetics. UK producers like 808Melo and AXL Beats became central, supplying sliding 808s, sparse minor plucks, and the signature snare-on-3 drill pocket.

Breakout and Mainstream Visibility (2019–2020)

Pop Smoke’s 2019 hits, especially “Welcome to the Party” and “Dior,” crystallized the sound and carried it to international audiences. His commanding baritone, anthem-ready hooks, and collaborations with UK producers defined the scene’s sonic identity. Meanwhile, Fivio Foreign, Sleepy Hallow, and others expanded its reach with club-primed, chant-like hooks and the “Woo Walk” dance. Industry attention grew rapidly as labels signed multiple Brooklyn drill artists.

Crews, Controversy, and Cultural Footprint

Scene dynamics were shaped by crew affiliations (often framed as Woo vs. Cho) and a wave of competitive, sometimes incendiary diss records. Heightened police scrutiny led to show cancellations and debates over lyrical content. Despite controversy, the sound permeated mainstream hip hop, influenced fashion and dance trends, and spurred widespread drill experimentation beyond the borough.

Evolution and Diffusion (2020s)

Following Pop Smoke’s death in 2020, the sound continued through artists like Fivio Foreign, Sheff G, and Sleepy Hallow. A newer Bronx-oriented wave leaned into “sample drill,” flipping recognizable R&B, pop, and soul samples at drill tempos. Brooklyn drill’s blueprint also informed neighboring scenes (e.g., Philly) and fed into broader “New York drill,” while dialoguing with UK and global drill movements.

How to make a track in this genre
Tempo, Groove, and Drums
•   Aim for 138–145 BPM with a half-time feel that leaves space for vocals. •   Place the main snare/clap on beat 3; use occasional ghost snares or rimshots before it to create the drill “lurch.” •   Program skittering hi-hat rolls with stutters, triplets, and velocity variation; sprinkle open hats on off-beats for movement. •   Kicks should be syncopated and minimal but heavy, locking with the 808 slides to create bounce.
808s and Low End
•   Use long, saturated 808s with portamento (glides) between notes; pitch slides are a hallmark. •   Sidechain melodies to the 808/kick or carve space with EQ; keep sub energy centered and powerful.
Melody and Harmony
•   Write simple, ominous, minor-key loops (Aeolian or Phrygian modes work well) using plucks, bells, choirs, strings, or detuned pianos. •   Keep progressions sparse (1–2 chords) and repetitive; texture and rhythm carry the track more than harmonic complexity. •   Add subtle atmospheric pads, reversed FX, or distant vocal chops for space and tension.
Arrangement
•   Typical structure: 4–8 bar intro (tag + motif), hook, 16-bar verse, hook, second verse/bridge, final hook; keep total length ~2–3 minutes. •   Drop elements in and out (hats, perc, bass mutes) to mark sections without over-arranging.
Vocals and Writing
•   Delivery should be assertive and percussive, often slightly behind the beat to enhance menace. •   Use ad-libs as call-and-response (e.g., punctuating lines with shouts), and double key phrases for anthemic hooks. •   Lyrical themes typically cover neighborhood identity, crews, status, and street narratives; keep lines concise and rhythmic.
Sound Design and Mixing
•   Prioritize a clean low end: saturate 808s, control sub tails, and high-pass non-bass elements. •   Use tight room and short plate reverbs; too much wash blurs the pocket. •   Master for impact: moderate limiting, strong transient punch on kicks and claps.
Tools and References
•   Drum kits inspired by UK/NY drill (AXL/808Melo-style sounds) and soft synths (e.g., Omnisphere, Serum) for plucks and pads. •   Study reference tracks by Pop Smoke and Fivio Foreign to internalize pocket, spacing, and arrangement.
Influenced by
Has influenced
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