June Millington

AOR (often read as Album-Oriented Rock and, in stylistic terms, Adult-Oriented Rock) is a polished, melody-forward strain of rock geared for FM radio and arena stages. It pairs sleek production with anthemic choruses, soaring vocals, and a balance of guitar crunch and prominent keyboards, aiming for broad appeal without sacrificing musicianship. In practice, AOR sits between hard rock and soft rock: tight rhythm sections, glossy multi-tracked harmonies, clean-to-overdriven guitar leads, and radio-friendly structures. Its repertoire spans driving uptempo anthems and emotive power ballads, with frequent key changes for climactic final choruses, meticulously layered arrangements, and lyrical themes of romance, resilience, and escape.

The women's music movement is a feminist-centered current within folk, singer‑songwriter, and community-based music that emerged in the United States during the 1970s. It foregrounds women’s voices, lesbian visibility, and social justice, often operating through artist-run labels, collectives, and women-only or women-led performance spaces. Musically, it draws on acoustic folk, gospel-inflected harmonies, and intimate storytelling, while thematically emphasizing empowerment, consciousness-raising, and everyday experiences of women. The movement’s DIY ethos fostered a parallel music infrastructure—from recording and engineering to distribution and festivals—that aimed to model equitable cultural production and audience spaces.

Yacht rock is a polished, jazz-tinged strain of late-1970s and early-1980s soft rock characterized by sophisticated chord changes, silky vocal harmonies, immaculate studio production, and a smooth, midtempo groove. It blends elements of blue-eyed soul, R&B, jazz fusion, and pop rock, often featuring electric piano (Fender Rhodes), clean chorus-laden guitars, saxophone leads, and glossy backing vocals. Lyrically, it tends toward romantic longing, aspirational lifestyles, and breezy coastal imagery—all delivered with understated cool.