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Ballet
Artists
Ballet
Finis Jhung & Webster Smith
1995
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1 album
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Ballet Class
Ballet class music is functional accompaniment written or arranged specifically to support the daily technique class of classical ballet. It is designed to match the mechanics, phrasing, and counts of codified exercises at the barre and in the centre (e.g., pliés, tendus, rond de jambe, adagio, petit allegro, grand allegro, révérence). Most pieces are short, metrically clear, and grouped in regular 8- or 16-bar phrases to suit combinations taught by the teacher. Meters typically include 2/4 for tendu and battement, 3/4 waltz or mazurka styles for adagio and port de bras, and 6/8 or lively 2/4 for allegro. Harmonies are diatonic and immediately intelligible, cadencing cleanly at phrase ends for precise cues. Repertoire often adapts or paraphrases well-known ballet and classical themes, musical theatre songs, or original pastiche in suitable dance rhythms. While solo piano is the norm (for responsiveness and dynamic nuance), some studios employ small ensembles or add light percussion for character work. The result is not concert music but a highly responsive craft whose success is measured by how well it enables dancers to coordinate movement, musicality, and technique.
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Ballet
Ballet (as a musical genre) refers to orchestral music written to accompany choreographed dance on stage. It prioritizes clear tempi, strongly articulated rhythms, and memorable leitmotifs to support narrative, character, and movement. While rooted in court entertainment, ballet music evolved into a sophisticated, self-sufficient concert art: many ballets yield popular orchestral suites that are performed independently. Typical numbers include adagios, variations, codas, divertissements, character dances, and large ensemble scenes that mirror the dramatic arc of the choreography. Stylistically, ballet spans Baroque courtly idioms, Classical clarity, Romantic lyricism, and 20th‑century modernism and neoclassicism. It is predominantly instrumental (full orchestra), but can occasionally include choral or vocal parts when dramaturgy requires it.
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Albums
1995
Ballet Music For 24 Center Exercises
Finis Jhung & Webster Smith
Ballet Class
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