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Drum And Bass
Artists
Drum And Bass
Erotic Cafe'
2024
·
1 album
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1
/5
Genres
Riddim Dubstep
Riddim dubstep is a minimalist, loop-driven branch of dubstep that emphasizes hypnotic repetition, half‑time drums, and lurching mid‑range bass motifs. Instead of flashy, constantly changing sound design, it focuses on a few tightly sculpted “wub” phrases that evolve through modulation, filtering, and subtle rhythmic variation. Rooted in UK sound‑system culture and the Jamaican concept of a reusable “riddim,” the style typically sits around 140 BPM, pairing a powerful sub with syncopated, percussive bass stabs. The overall feel is dark, bouncy, and relentlessly dance‑oriented—built for double‑drops, blends, and long DJ transitions on large rigs.
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Bass Trap
Bass trap is a high-energy electronic dance music style that merges trap’s halftime hip-hop drum language with festival-scale sound design. It is defined by hard-hitting 808-style sub-bass, punchy snare/clap patterns, rapid hi-hat figures, and aggressive synth or bass “growls” borrowed from modern bass music. Tracks are typically built for big drops and crowd impact, using tension-heavy builds, sudden silences, and explosive low-end releases.
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Halftime Dnb
Halftime DnB is a bass-focused offshoot of drum and bass that retains DnB’s tempo (typically 170–174 BPM) but places the drums in a half-time grid, creating the feel of 85–87 BPM. The result is a spacious, head‑nod swing that blends the sound design intensity of DnB with the groove logic of hip hop and trap. Producers emphasize heavyweight sub lines, neuro-influenced bass design, and skeletal, syncopated drum patterns (kicks and 808s up front, snares landing hard on beat three). Texture and negative space are integral, with percussion details, foley, and minimal melodic fragments carrying the narrative. The style sits naturally between club systems and headphone listening, often occupying the same ecosystems as UK bass, the autonomic/leftfield DnB continuum, and the LA beat scene.
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Hard Drum
Hard drum is a UK-born strain of percussive club music that foregrounds heavy, syncopated drums, sharp transients, and minimal melodic content. Tracks often function as DJ tools: skeletal, high-impact, and designed to generate momentum and tension on the dancefloor. Drawing on UK funky’s swing, grime’s sound-design bite, and Afro-diasporic rhythms (kuduro, batida, gqom), hard drum emphasizes tuned toms, metallic hits, hand percussion, and sub-weighted kicks over sustained chords or vocal leads. The result is a stark, propulsive style that prizes polyrhythms, negative space, and sudden drops as its main dramatic devices.
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Neurohop
Neurohop is a bass music subgenre that fuses the intricate, high-tech sound design and tense atmospheres of neurofunk with the swagger, swing, and groove of hip hop and glitch-hop tempos. Typically sitting around 90–115 BPM (often felt as halftime), it emphasizes surgically sculpted mid-bass lines, resampled textures, and precision drum programming. The result is music that is simultaneously head‑nodding and highly technical, pairing hip hop’s rhythmic feel with the detailed modulation, movement, and spectral complexity associated with modern drum and bass and dubstep.
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Neurostep
Neurostep is a hybrid subgenre that merges the sound‑design intensity of neurofunk drum & bass with the halftime groove and weight of dubstep. Typically sitting around 140 BPM (sometimes 150), it emphasizes intricate, constantly morphing bass timbres, razor‑edged transients, and tightly engineered drops. Compared to classic dubstep, neurostep is less about sparse wobble basses and more about complex, resampled, FM/phase‑modulated bass layers that evolve bar by bar. The drums are punchy and surgical—kicks carve through dense low‑end, snares land hard on the third beat, and ghosted percussion and glitch fills keep momentum between phrases. Its overall aesthetic is dark, technical, and cinematic: dystopian atmospheres, granular textures, and call‑and‑response bass motifs are common, while breakdowns often showcase sound‑design detail and tension before a precision‑engineered drop.
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Dubstep
Dubstep is a bass‑centric electronic dance music genre that emerged in South London in the early 2000s. It is typically around 140 BPM and is defined by a half‑time rhythmic feel, sub‑heavy basslines, sparse yet impactful drums, and a strong emphasis on space, tension, and sound system weight. Hallmark traits include syncopated kick patterns, snares on the third beat of the bar, swung/shuffly hi‑hats inherited from UK garage, and modulated low‑frequency bass (“wobbles”) shaped with LFOs, filters, and distortion. Influences from dub reggae (echo, delay, and minimalism), jungle/drum & bass (bass science and sound system culture), and 2‑step garage (rhythmic swing and shuffles) are central. The style ranges from deep, meditative “dub” aesthetics (often called deep dubstep) to more aggressive, midrange‑driven variants that later informed brostep and festival bass. Atmosphere, negative space, and subwoofer translation are as important as melody or harmony.
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Drum And Bass
Drum and bass (DnB) is a fast, rhythmically intricate form of electronic dance music centered on breakbeats at roughly 160–180 BPM and powerful, sub‑heavy basslines. It grew out of the UK’s early ’90s rave and jungle scenes, combining chopped funk breaks (most famously the Amen break), dub and reggae sound‑system aesthetics, hip‑hop sampling, and techno’s futurist sound design. Across its many substyles—liquid funk’s soulful harmonies, techstep and neurofunk’s cold, machine‑like bass engineering, jump‑up’s hooky bass riffs, atmospheric DnB’s pads and space—drum and bass remains a DJ‑oriented, dancefloor‑driven genre that prizes tight drum programming, deep low end, and precise arrangement for mixing.
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Deep Drum And Bass
Deep drum and bass is a moody, minimalist branch of drum and bass that emphasizes weighty sub‑bass, sparse but detailed drum programming, and immersive atmospheres. It typically runs at 170–174 BPM, favoring rolling, understated grooves over maximal aggression, and uses extended chords, pads, field recordings, and dub-style space to create depth. Compared with harder styles (e.g., neurofunk or jump-up), deep DnB privileges restraint, negative space, and precision sound design—music that works both on large systems and on headphones.
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Bass Music
Bass music is an umbrella category that emphasizes heavy, foregrounded low‑frequency content—whether a booming kick drum, a sub‑bassline, or both. It spans electronic dance music and hip hop lineages from the 1980s onward and is less about one fixed rhythm than about putting the bass spectrum at the center of the mix. Producers typically sculpt the bass using synthesizers, samplers, and drum machines—famously the Roland TR‑808—along with modern soft synths and sub‑enhancement tools. Because it is a broad label, bass music can range from half‑time hip hop swing to four‑on‑the‑floor house pulses and breakbeat frameworks, but in every case the arrangement, sound design, and mix are built to make the low end the driving force.
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Show all 10 genres
Albums
2024
1
/5
In the Midst of Bias
Erotic Cafe'
Deep Drum And Bass
Drum And Bass
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3
/5
Alix Perez
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3
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Drum And Bass
3
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Oliverse
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Cinematic Dubstep
Drum And Bass
2
/5
Monty
Dubstep
Halftime Dnb
Drum And Bass
2
/5
Trampa
Dubstep
Tearout Brostep
Bass Music
2
/5
Chee
Dubstep
Halftime Dnb
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3
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Fox Stevenson
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3
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Noisia
Drum And Bass
Neurofunk
Electronic
4
/5
Subtronics
Bass Music
Deathstep
Dub
3
/5
Excision
Dubstep
Brostep
Electronic
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Melodding was created as a tribute to
Every Noise at Once
, which inspired us to help curious minds keep digging into music's ever-evolving genres.