Adji kar teri miri / Koulou guamil / Kilihi sakiya / Toubou ya Illahi / Miri tiand / Maguarham dissine

Moorish music refers to the hereditary griot tradition (iggāwen) of the Moors (Hassaniya Arabic–speaking Arab–Berber communities) of Mauritania. It is a sophisticated, courtly art that fuses Arabic poetic song with indigenous Saharan aesthetics. Its core sound centers on the tidinit (a skin-faced lute typically played by men) and the ardin (a calabash-harp traditionally played by women), supported by the t’bal frame drum and handclaps. Performances set classical Hassaniya poetry to modal melodies and cyclical rhythms, moving through established suites and emotional intensities. While deeply local, this tradition sits at the crossroads between Maghrebi/Andalusian art music and Sahel–Saharan styles. In the late 20th and 21st centuries, Moorish musicians began adapting the tidinit’s phrasing to electric guitar and modern ensembles, influencing the wider “desert blues” sound.