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Death Metal
Death metal is an extreme subgenre of heavy metal defined by heavily distorted, low‑tuned guitars, rapid and complex riffing, blast beat drumming, and harsh guttural vocals. Its harmonic language favors chromaticism, dissonance, and tremolo-picked lines that create an ominous, abrasive atmosphere. Lyrically, death metal often explores dark or transgressive themes—mortality, mythology, anti-religion, psychological horror, and the macabre—sometimes with philosophical or social commentary. Production ranges from raw and cavernous to hyper-precise and technical, reflecting the genre’s many regional scenes and substyles. From the mid‑1980s Florida scene (Tampa) and parallel developments in the US, UK, and Sweden, death metal evolved into numerous branches including brutal death metal, technical death metal, melodic death metal, and death‑doom, each emphasizing different aspects of speed, complexity, melody, or heaviness.
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Nu Metal
Nu metal is a hybrid style that fuses the weight and riff-centric attack of heavy metal with hip‑hop rhythms, turntablism, funk bounce, and the angst‑laden melodicism of alternative rock. It favors down‑tuned, percussive guitar work, punchy bass lines, and groove‑heavy drum patterns over extended solos. Vocals often switch rapidly between rapped verses, shouted/screamed passages, and soaring melodic choruses. Production tends to be glossy yet bass‑forward, frequently incorporating DJ scratches, samples, electronic textures, and syncopated, hip‑hop‑influenced beats. Lyrical themes commonly explore alienation, trauma, social pressure, and catharsis. The result is an accessible but aggressive sound that emphasizes groove, dynamics, and hook‑writing as much as heaviness.
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Punk
Punk is a fast, abrasive, and minimalist form of rock music built around short songs, stripped-down instrumentation, and confrontational, anti-establishment lyrics. It emphasizes DIY ethics, raw energy, and immediacy over virtuosity, often featuring distorted guitars, shouted or sneered vocals, and simple, catchy melodies. Typical songs run 1–3 minutes, sit around 140–200 BPM, use power chords and basic progressions (often I–IV–V), and favor live, unpolished production. Beyond sound, punk is a cultural movement encompassing zines, independent labels, political activism, and a fashion vocabulary of ripped clothes, leather, and safety pins.
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Albums
O5 (Opět)
Jiří Korn
Staré pecky
Vlasta Redl
Pískej si, pískej
Buty
Missariel
Lucie Bílá
Kruhy mé touhy
Ilona Csáková
Až jednou
Shalom
Pili jsme a budem
Alkehol
Hieronimus Bosch - Garden of Earthly Delights
Ondřej Soukup
Bajkonur
Mňága a Žďorp
Osmá barva duhy
Jaromír Nohavica
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Artists
Andrew Lloyd Webber
Inti-Illimani
Antonín Dvořák
Jaromir Nohavica
XIII. Století
Visací Zámek
Paul Robeson
Various Artists
Bára Basiková
Tichá dohoda
Root
Jiří Korn
Vlasta Redl
Buty
Ilona Csáková
Shalom
Alkehol
Ondřej Soukup
Mňága a Žďorp
MCH Band
Master’s Hammer
Bokomara
Našrot
Tři sestry
Jaroslav Lenk
The Dark
Nerez
Vitacit
Orlík
Žentour
Fleret
Oceán
Felix Slováček
Markýz John
Šlapeto
Nezmaři
Asmodeus
Yo Yo Band
Petr Kučera
Here
Rapmasters
Brother John Sellers
The Trial
Luboš Pospíšil
Törr
Krabathor
Pavel Dobeš
Beáta Dubasová
Progres 2
Datwerk
Sax
František Stralczynský
Argema
Hop Trop
Hex
Petr Fiala
Iveta Bartošová
Zuzana Navarová
Plexis
David Koller
Tortura
Katapult
Morava
Jerusalem
Vanessa
Elán
Petr Muk
Divokej Bill
Kamil Střihavka
Yvetta Blanarovičová
Petr Janda
Pavla Kapitánová
Vilém Čok
Yvonne Přenosilová
Jiří Schoenbauer
Forma
J.A.R.
Horkýže Slíže
Turbo
Rytmus
Dorota Nvotová
Kamelot
Roman Horký
Dáda
Metropolis
Holki
Voxel
Pavel Bobek
Karel Svoboda
Toxic Babe
Tublatanka
Aleš Brichta Trio
Maxim Turbulenc
Starmania
Daniel Landa
Verona
Petr Štěpán
Michal Pavlíček
Zuzana Smatanová
Dalibor Janda
Petr Kotvald
Stanislav Hložek
OK Band
František Sahula
Kabát
Michal David
Lucie Bílá
Monkey Business
Gabriela Osvaldová
Miloš Doležal
Harlej
Arakain
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Melodding was created as a tribute to
Every Noise at Once
, which inspired us to help curious minds keep digging into music's ever-evolving genres.