Paranormal Records

Electronic is a broad umbrella genre defined by the primary use of electronically generated or electronically processed sound. It encompasses music made with synthesizers, drum machines, samplers, computers, and studio/tape techniques, as well as electroacoustic manipulation of recorded or synthetic sources. The genre ranges from academic and experimental traditions to popular and dance-oriented forms. While its sonic palette is rooted in electricity and circuitry, its aesthetics span minimal and textural explorations, structured song forms, and beat-driven club permutations. Electronic emphasizes sound design, timbre, and studio-as-instrument practices as much as melody and harmony.

Forest psytrance is a nocturnal, highly textural branch of psytrance that evokes the feeling of being deep in a living forest. Producers mimic the ambience of a forest through swarming and teeming sonic effects, organic foley, and natural samples such as insects, birds, wind, creaking wood, and flowing water. Tracks typically run around 145–152 BPM with a steady, driving bassline and percussion that feels earthy rather than glossy. While sound design is dense and psychedelic, the arrangement often follows relatively straightforward song structures so dancers can lock into a hypnotic, continuous groove. The overall mood is dark, mysterious, and immersive rather than aggressive for its own sake.

Psychedelic rock is a style of rock music that seeks to evoke, simulate, or amplify altered states of consciousness. It emphasizes timbral color, textural layering, and extended forms over traditional verse–chorus efficiency. Hallmarks include droning or modal harmonies, jangling or heavily fuzzed guitars, swirling organs or synthesizers, and extensive use of studio effects such as tape delay, reverse tape, phasing, flanging, and Leslie-speaker rotation. Rhythms often loosen into hypnotic vamps and long improvisations, while lyrics tend toward surreal imagery, cosmic themes, and introspection. The sound draws from Indian classical drones and scales, blues and R&B roots, folk lyricism, free-jazz openness, and the burgeoning studio experimentalism of the mid‑1960s. It became a cultural emblem of the counterculture era.

Psytrance (psychedelic trance) is a high-energy branch of trance music that emphasizes hypnotic repetition, richly modulated synth textures, and immersive sound design. Typically ranging from 138–150 BPM (with substyles slower or faster), it features a straight four-on-the-floor kick, a tight, rolling 1/16th-note bassline, and intricately layered FX—zaps, squelches, formant sweeps, and granular stutters—arranged to create a mind-bending, psychedelic journey. Tracks are commonly 6–9 minutes long, evolving through long-form tension and release. Harmony is sparse and modal (often minor, Phrygian, or Phrygian dominant), while rhythmic micro-variations, filter automation, and spatial motion (pans, dopplers, psychoacoustic tricks) carry the narrative.

Rock is a broad family of popular music centered on amplified instruments, a strong backbeat, and song forms that foreground riffs, choruses, and anthemic hooks. Emerging from mid‑20th‑century American styles like rhythm & blues, country, and gospel-inflected rock and roll, rock quickly expanded in scope—absorbing folk, blues, and psychedelic ideas—while shaping global youth culture. Core sonic markers include electric guitar (often overdriven), electric bass, drum kit emphasizing beats 2 and 4, and emotive lead vocals. Rock songs commonly use verse–chorus structures, blues-derived harmony, and memorable melodic motifs, ranging from intimate ballads to high‑energy, stadium‑sized performances.

Yé-yé is a Francophone teen-pop movement of the early-to-mid 1960s that fused the brisk rhythms and guitar-driven verve of Anglo-American rock & roll and beat music with the melodic charm and lyrical sensibilities of French chanson. Characterized by bright melodies, succinct verse–chorus forms, handclaps and tambourines, and breathy, close-miked vocals, yé-yé celebrated youth culture, fashion, and flirtatious romance. Arrangements often blended twangy guitars and Farfisa/Vox organs with string or brass sweetening, while playful onomatopoeia and nonsense syllables (the titular “yé-yé”) emphasized its carefree, danceable spirit. The style flourished through radio and television, particularly around the Salut les copains scene, and produced enduring hits that remain touchstones of European pop history.