Transglobal District Records

Electro swing fuses the timbres and rhythms of 1920s–1940s swing and big band jazz with modern electronic dance production. Producers sample or recreate vintage horn sections, clarinets, crooner vocals, and walking bass lines, then place them over four‑on‑the‑floor house grooves, syncopated breakbeats, and punchy electronic bass. Typical tempos sit around 110–128 BPM, with swung/shuffle hi‑hats, call‑and‑response horn riffs, and jazz harmony (ii–V–I cadences, extended 7ths/9ths/13ths). Vocals range from retro scat and cabaret‑style singing to contemporary rap or chopped vocal hooks. The result is a playful, dance‑forward sound that feels both nostalgic and fresh: gramophone grit and brass flair meeting club‑ready drums, sidechain swells, and modern sound design.

Electronic is a broad umbrella genre defined by the primary use of electronically generated or electronically processed sound. It encompasses music made with synthesizers, drum machines, samplers, computers, and studio/tape techniques, as well as electroacoustic manipulation of recorded or synthetic sources. The genre ranges from academic and experimental traditions to popular and dance-oriented forms. While its sonic palette is rooted in electricity and circuitry, its aesthetics span minimal and textural explorations, structured song forms, and beat-driven club permutations. Electronic emphasizes sound design, timbre, and studio-as-instrument practices as much as melody and harmony.

Balkan beats is a DJ‑driven club style that fuses high‑energy Balkan brass and Romani folk melodies with contemporary electronic dance rhythms. Typical sets and productions splice horn riffs, accordion/clarinet lines, and tapan/darbuka grooves into breakbeat, big beat, house, drum and bass, and hip‑hop frameworks. The sound emphasizes odd‑meter dance feels common in the Balkans (7/8, 9/8, etc.), punchy kick–snare patterns, and celebratory call‑and‑response hooks. Emerging from Berlin’s diasporic nightlife and parallel scenes in Vienna and Paris, it thrives on remixes, bootlegs, and live–DJ hybrids that keep a brass‑band party energy on a club sound system.