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Club Tango Argentino
Tokyo
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Tango
Tango is a song-and-dance music from the Río de la Plata region, crystallizing in Buenos Aires (Argentina) and Montevideo (Uruguay) in the late 19th century. It is characterized by a melancholic, dramatic tone; richly expressive melodies; and a distinctive rhythmic feel rooted in the habanera and milonga. Core ensembles feature bandoneón, violin(s), piano, double bass, and sometimes guitar, forming the famed orquesta típica. Across the 1920s–1950s it became a worldwide craze, moving from rough immigrant bars to grand salons and radio, developing highly sophisticated arranging and performance practices. Lyrics often employ lunfardo (Buenos Aires slang) and dwell on urban nostalgia, love, betrayal, and the neighborhood (el barrio). Note on terminology: in flamenco, “tangos” is a distinct palo (song form) with a lively 4/4 compás, often in A Phrygian, closely related in feeling to rumba flamenca. Although it shares the name and a spirited character, flamenco tangos is a different tradition from the Río de la Plata tango described above.
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Albums
Vol. 25 (1956-1957)
Juan d’Arienzo
Tango en París, Vol. 1
Rafael Canaro
Vol. 1 (1950-1953)
Roberto Caló
Vol. 23 (1954-1955)
Juan d’Arienzo
Vol. 21 (1952-1953)
Juan d’Arienzo
Vol.3 (1929)
Juan Bautista Guido
(1940-1942)
Cuarteto Típico Los Ases
(1930-1931)
Antonio Bonavena
Vol. 15 (1946-1947)
Juan d’Arienzo
Vol. 7 (1940–1941)
Juan d’Arienzo
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Artists
Francisco Canaro
Rafael Canaro
Juan d’Arienzo
Fujisawa, Ranko
Francisco Lomuto
Roberto Caló
Juan Bautista Guido
Cuarteto típico Los Ases
Antonio Bonavena
Cayetano Puglisi
Francisco Pracánico
José Servidio
Dante Puricelli
Enrique Alessio
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