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Latin Jazz
Latin jazz is a fusion of jazz harmony and improvisation with Afro–Latin American rhythms, song forms, and percussion. It combines the swing, bebop, and big-band traditions with clave-based grooves such as son, rumba, danzón, and mambo, and later integrates Brazilian feels like samba and bossa nova. Typical features include the use of the clave (2–3 or 3–2), piano montunos (guajeos), bass tumbao patterns, timbales cáscara, conga marcha, and call-and-response horn "mambo" figures. While the rhythm section locks into cyclical patterns, soloists improvise using the vocabulary of jazz, creating music that is both danceable and harmonically rich.
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Blues
Blues is an African American musical tradition defined by expressive "blue notes," call-and-response phrasing, and a characteristic use of dominant-seventh harmony in cyclical song forms (most famously the 12‑bar blues). It is as much a feeling as a form, conveying sorrow, resilience, humor, and hard-won joy. Musically, blues commonly employs the I–IV–V progression, swung or shuffled rhythms, and the AAB lyric stanza. Melodies lean on the minor/major third ambiguity and the flattened fifth and seventh degrees. Core instruments include voice, guitar (acoustic or electric), harmonica, piano, bass, and drums, with slide guitar, bends, and vocal melismas as signature techniques. Over time the blues has diversified into regional and stylistic currents—Delta and Piedmont country blues, urban Chicago and Texas blues, West Coast jump and boogie-woogie—while profoundly shaping jazz, rhythm & blues, rock and roll, soul, funk, and much of modern popular music.
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Hard Bop
Hard bop is a mid‑1950s subgenre of jazz that extends bebop’s virtuosic improvisation while bringing back a more explicitly African‑American groove. It incorporates pronounced influences from blues, rhythm & blues, and gospel—especially evident in riff‑based heads, church‑like harmonic movements on piano, and earthy saxophone phrasing. Compared with bebop, hard bop favors stronger backbeat accents, more grounded bass lines, and memorable, soulful melodies, all while retaining fast, harmonically rich improvisation when desired. Typical ensembles are small groups (often quintets) with trumpet, tenor sax, piano, bass, and drums. The style’s hallmark is the blend of bop harmony and lines with blues/gospel feeling and a driving swing feel.
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Jazz
Jazz is an improvisation-centered music tradition that emerged from African American communities in the early 20th century. It blends blues feeling, ragtime syncopation, European harmonic practice, and brass band instrumentation into a flexible, conversational art. Defining features include swing rhythm (a triplet-based pulse), call-and-response phrasing, blue notes, and extended harmonies built on 7ths, 9ths, 11ths, and 13ths. Jazz is as much a way of making music—spontaneous interaction, variation, and personal sound—as it is a set of forms and tunes. Across its history, jazz has continually hybridized, from New Orleans ensembles and big-band swing to bebop, cool and hard bop, modal and free jazz, fusion, and contemporary cross-genre experiments. Its influence permeates global popular and art music.
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Albums
Father of Folk Blues
Son House
Machine Gun: The Fillmore East First Show 12/31/1969
Jimi Hendrix
Bloodlines
Blood, Sweat and Tears
Ahmad Jamal at the Pershing
Ahmad Jamal Trio
Lightnin' (The Blues Of Lightnin' Hopkins)
Lightnin’ Hopkins
Willie’s Blues
Willie Dixon With Memphis Slim
Lightnin’ (The Blues of Lightnin’ Hopkins)
Lightnin’ Hopkins
Goin’ Away
Lightnin’ Hopkins
Sonny Is King
Sonny Terry
Willie’s Blues
Willie Dixon With Memphis Slim
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Artists
Elvis Presley
Muddy Waters
Miles Davis
Duke Ellington
Nat King Cole
Oliver Nelson
Joe Henderson
Albert King
Jimi Hendrix
Creedence Clearwater Revival
Jimmy Reed
Stevie Ray Vaughan
Yes
John Lee Hooker
Buddy Guy
Double Trouble
Ry Cooder
Lightnin' Hopkins
Jimmy Smith
Rickie Lee Jones
Coleman Hawkins
Sonny Boy Williamson II
Otis Redding
Ben Webster
The Three Sounds
Maurice Ravel
Janis Ian
Cannonball Adderley
Miles Davis Quintet
Sam Cooke
John Coltrane
John Coltrane Quartet
Herbie Hancock
Freddie Hubbard
Willie Dixon
Lee Morgan
Chet Baker
Bill Evans Trio
Art Pepper
Dexter Gordon
Charles Mingus
Jackie McLean
Royal Philharmonic Orchestra
Bill Evans
Philly Joe Jones
Hank Mobley
Hugh Masekela
Ahmad Jamal Trio
Stanisław Skrowaczewski
Sonny Rollins
Art Blakey & The Jazz Messengers
Thelonious Monk
Art Taylor
Kenny Dorham
Paul Chambers
Lou Donaldson
Gene Ammons
Jimmy Rogers
Sergei Rachmaninoff
Modest Mussorgsky
Kenny Burrell
Sonny Terry
Son House
Grant Green
Shelly Manne
Morton Gould
Ike Quebec
The Gil Evans Orchestra
Memphis Slim
Doc & Merle Watson
Susan Tedeschi
Benny Carter
Paul Motian
Joe Walsh
Big John Patton
Horace Silver Quintet
Minnesota Orchestra
Vince Guaraldi
Vince Guaraldi Trio
Maurice Abravanel
Louis Moreau Gottschalk
Art Blakey
Roy Haynes Quartet
The Weavers
Humble Pie
Jack Nitzsche
Fred Jackson
Various Artists
Thelonious Monk Quintet
Paul Chambers Sextet
The Horace Silver Trio
Miles Davis Sextet
Clifford Jordan
John Gilmore
Kenny Drew
The Jimi Hendrix Experience
Utah Symphony
Bola Sete
Myra Taylor
Count Basie and The Kansas City Seven
Otis Spann
Dallas Symphony Orchestra
René Leibowitz
Vishwa Mohan Bhatt
Scott LaFaro
Junior Wells’ Chicago Blues Band
Blood, Sweat & Tears
Shelly Manne & His Men
Art Pepper Quintet
Nancy Bryan
Jimmy D. Lane
Donald Johanos
Walter Davis Jr.
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Melodding was created as a tribute to
Every Noise at Once
, which inspired us to help curious minds keep digging into music's ever-evolving genres.