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Ivory Records
Philippines
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Ballad
A ballad is a narrative song form that tells a story in simple, singable stanzas, traditionally using quatrains in ballad meter (alternating lines of iambic tetrameter and trimeter with an ABCB rhyme scheme). Ballads typically recount dramatic events—love, betrayal, tragedy, murder, the supernatural—or notable historical incidents. Early ballads were often sung unaccompanied or with minimal accompaniment, carried by memorable, modal melodies and refrains that aided oral transmission. Over time, the term also came to describe slow, sentimental popular songs in the 20th century, but the core of the genre remains the storytelling focus and strophic, easily learned structure. Ballads are central to the English- and Scots-language folk traditions, migrated to North America where they flourished in Appalachian singing, and continue to be performed, adapted, and reinterpreted in contemporary folk and roots scenes.
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Folk
Folk is a song-centered acoustic tradition rooted in community storytelling, everyday life, and social history. It emphasizes clear melodies, simple harmonies, and lyrics that foreground narrative, protest, and personal testimony. As a modern recorded genre, folk coalesced in the early-to-mid 20th century in the United States out of older ballad, work song, and rural dance traditions. It typically features acoustic instruments (guitar, banjo, fiddle, mandolin, harmonica), strophic song forms, and participatory singing (choruses, call-and-response).
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Opm
OPM (Original Pilipino Music) is the umbrella term for Filipino popular music, encompassing mainstream pop, soft rock, ballads, and band music primarily sung in Filipino languages (especially Tagalog) as well as English. The tag crystallized in the 1970s alongside the Manila Sound movement and the formation of a modern local recording industry that foregrounded Filipino songwriting and artists. Stylistically, OPM blends Western pop/rock and soul with indigenous and Hispanic-influenced Filipino song traditions such as kundiman and harana. Melodies tend to be singable and emotive, harmony is diatonic with occasional modulations, and lyrics often revolve around love, nostalgia, family, and national identity. Across decades, OPM has continually evolved—from disco-tinged 70s pop and 80s power ballads to 90s alternative band culture and today’s polished pop and R&B—while remaining distinctively Filipino in sensibility and storytelling.
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Pop
Pop is a broad, hook-driven style of popular music designed for wide appeal. It emphasizes memorable melodies, concise song structures, polished vocals, and production intended for radio, charts, and mass media. While pop continually absorbs elements from other styles, its core remains singable choruses, accessible harmonies, and rhythmic clarity. Typical forms include verse–pre-chorus–chorus, frequent use of bridges and middle-eights, and ear-catching intros and outros. Pop is not defined by a single instrumentation. It flexibly incorporates acoustic and electric instruments, drum machines, synthesizers, and increasingly digital production techniques, always in service of the song and the hook.
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World
World music is a broad, industry-coined umbrella for traditional, folk, and contemporary popular styles from around the globe that fall outside the Anglo-American pop mainstream. The label emerged in the 1980s as a retail and marketing category to group diverse regional musics for international distribution. Musically, it spans acoustic and electric instrumentation; modal, pentatonic, and microtonal pitch systems; and rhythms ranging from cyclical grooves and polyrhythms to asymmetrical meters. While the term can obscure local specificity, it also facilitated cross-cultural collaboration, festivals, and recordings that brought regional genres to wider audiences.
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Albums
Pilita Corrales Collection
Pilita Corrales
Soulful Acoustic
M.Y.M.P.
Say It Again
Roselle Nava
Upuan Ni Florante
Florante
All Filipino, Vol. 1
Leo Valdez
Yon Na!
The Company
Monodramatic
Silent Sanctuary
New Horizon
M.Y.M.P.
Mga Awitin Ng Bayan Kong Pilipinas
Asin
The Legends Series: The Company Greatest Hits
The Company
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Artists
Side A
Asin
Silent Sanctuary
MYMP
Zack Tabudlo
GAT
The Tabernacle Choir at Temple Square
Orchestra at Temple Square
Dagtang Lason
Pilita Corrales
Moonstar88
Freddie Aguilar
Gary Granada
RICO J PUNO
Sofia
Moira Dela Torre
Keiko Necesario
The Company
Florante
Amiel Sol
Various Artists
A1
Paolo Santos
Darren Espanto
April Boy Regino
Kaligta
Manilyn Reynes
JM De Guzman
Leo Valdez
Maja
Dahong Palay
Roselle Nava
Myrtle Sarrosa
Abra
Suy Galvez
Brenan Espartinez
Kim Flores
Kinda Dixie Jazz Band
Lokal Brown
Warhead
Thor
Chris Tsuper
Nicole Hyala
Young Men
Luke Mejares
Ketama
Watawat Band
ABY
Jennylyn Mercado
Nerissa
Sandiwa
Meg Zurbito
Tangerine
David Archuleta
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Melodding was created as a tribute to
Every Noise at Once
, which inspired us to help curious minds keep digging into music's ever-evolving genres.