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Contemporary Jazz
Contemporary jazz is an umbrella term for post-1970 jazz that absorbs advances from post‑bop, fusion, free jazz, modern classical, and global traditions while retaining the core values of improvisation and interaction. It favors a flexible rhythmic feel (from straight‑8 to polyrhythms), modal and post‑tonal harmony, and a producer’s ear for space, texture, and sound design. Unlike earlier era labels tied to a single movement, contemporary jazz denotes a living, evolving practice. It ranges from intimate acoustic trios to electronics‑enhanced ensembles, often using odd meters, ambient timbres, and song forms that move beyond the 32‑bar standard. The result is a wide spectrum—from lyrical, ECM‑influenced spaciousness to groove‑forward, rhythmically intricate music influenced by funk and world traditions.
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Hard Bop
Hard bop is a mid‑1950s subgenre of jazz that extends bebop’s virtuosic improvisation while bringing back a more explicitly African‑American groove. It incorporates pronounced influences from blues, rhythm & blues, and gospel—especially evident in riff‑based heads, church‑like harmonic movements on piano, and earthy saxophone phrasing. Compared with bebop, hard bop favors stronger backbeat accents, more grounded bass lines, and memorable, soulful melodies, all while retaining fast, harmonically rich improvisation when desired. Typical ensembles are small groups (often quintets) with trumpet, tenor sax, piano, bass, and drums. The style’s hallmark is the blend of bop harmony and lines with blues/gospel feeling and a driving swing feel.
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Jazz
Jazz is an improvisation-centered music tradition that emerged from African American communities in the early 20th century. It blends blues feeling, ragtime syncopation, European harmonic practice, and brass band instrumentation into a flexible, conversational art. Defining features include swing rhythm (a triplet-based pulse), call-and-response phrasing, blue notes, and extended harmonies built on 7ths, 9ths, 11ths, and 13ths. Jazz is as much a way of making music—spontaneous interaction, variation, and personal sound—as it is a set of forms and tunes. Across its history, jazz has continually hybridized, from New Orleans ensembles and big-band swing to bebop, cool and hard bop, modal and free jazz, fusion, and contemporary cross-genre experiments. Its influence permeates global popular and art music.
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Rock
Rock is a broad family of popular music centered on amplified instruments, a strong backbeat, and song forms that foreground riffs, choruses, and anthemic hooks. Emerging from mid‑20th‑century American styles like rhythm & blues, country, and gospel-inflected rock and roll, rock quickly expanded in scope—absorbing folk, blues, and psychedelic ideas—while shaping global youth culture. Core sonic markers include electric guitar (often overdriven), electric bass, drum kit emphasizing beats 2 and 4, and emotive lead vocals. Rock songs commonly use verse–chorus structures, blues-derived harmony, and memorable melodic motifs, ranging from intimate ballads to high‑energy, stadium‑sized performances.
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Albums
Opening
Jakob Bänsch
At Onkel Pö's Carnegie Hall Hamburg 1975
Lookout Farm
Live at the Opernhaus, Cologne 1969
Duke Ellington and His Orchestra
Love Again
Stephanie Lottermoser
1960 Duesseldorf
John Coltrane
Just the Night
Stephanie Lottermoser
Live at Fabrik Hamburg 1980
Pharoah Sanders Quartet
Christmas Revisited
WDR Big Band & Hiram Bullock
Two Way Street
Marc Copland, Dieter Ilg
Vantage Point
Simon Phillips & Jeff Babko
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Artists
Esther Phillips
Billie Holiday
Oscar Peterson Trio
Bud Powell
Count Basie
Johann Sebastian Bach
Pharoah Sanders
John Abercrombie
John Coltrane
The Dave Brubeck Quartet
The Modern Jazz Quartet
Johnny "Guitar" Watson
Duke Ellington Orchestra
Chet Baker
Wolfgang Haffner
Friedrich Gulda
Art Blakey & The Jazz Messengers
Simon Phillips
Thelonious Monk Quartet
David Linx
Bill Laurance
The Gil Evans Orchestra
Randy Brecker
Chuck Loeb
Dave Liebman
Joe Zawinul
Bill Evans
Freddie Hubbard Quintet
Silvan Strauss
Steps Ahead
Marc Johnson
Mitchel Forman
Trilok Gurtu
Bob Mintzer
Ada Rovatti
André Cymone
George Mraz
Lula Galvão
Andy Laverne
Al Foster
Danny Gottlieb
Various Artists
Louisiana Red
Clifford Jordan
Jochen Rückert
Marc Copland
Richie Beirach
WDR Big Band Köln
Buddy DeFranco Quartet
Kirk Lightsey
Jim Beard
Dieter Ilg
David Kikoski
NDR Bigband
Metro
Stephanie Lottermoser
James Booker
Tony Lakatos
Martial Solal Trio
Albert Collins and the Icebreakers
Fay Claassen
Tibor Elekes
Klaus Weiss Quintet
Mark Egan
Hiram Bullock
Pharoah Sanders Quartet
Markus Burger
Jan von Klewitz
AMC Trio
Dagobert Böhm
Stefan Bauer
Peter Materna
Jakob Bänsch
Lookout Farm
Jeff Babko
Woody Shaw Quintet
Carola Grey
Lisa Wulff
PBUG
Matthias Frey
Shawn Maxwell
Matthias Schubert Quartet
Marc Abrams
The New Woody Shaw Quintet
McCoy Tyner / Freddie Hubbard Quartet
Mokhtar Samba
The Elvin Jones Jazz Machine
Jasper Van’t Hof / Paul Heller Group
Jon Herington
Count Basie Big Band
Luigi Grasso
Johan Hörlén
David Liebman / Richard Beirach
Masha Bijlsma Band
Étienne M'Bappé
Michael Abene
Darwisch, Basem
Jan Felix May
The Eddie Davis-Johnny Griffin Quintet
Contempo Trio
Last of the Hipmen
Ulla Haesen
Dizzy Gillespie Quartet
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Melodding was created as a tribute to
Every Noise at Once
, which inspired us to help curious minds keep digging into music's ever-evolving genres.