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Fnac Music
France
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Alternative Hip Hop
Alternative hip hop is a broad, eclectic wing of hip hop that prioritizes experimentation, left‑field aesthetics, and nonconformist subject matter over commercial formulas. It blends classic rap techniques with unconventional production, live instrumentation, genre cross‑pollination (jazz, funk, rock, electronic, reggae), and inventive songwriting. As a cultural stance, it often rejects narrow mainstream archetypes—embracing thoughtful lyricism, humor, Afrocentricity, social critique, and artistic playfulness—while keeping core elements of MCing, DJing, and sampling at the center.
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Classic Rock
Classic rock is a radio-defined umbrella for mainstream, guitar-centered rock music from the mid-1960s through the 1980s. It emphasizes blues-based riffs, memorable choruses, sturdy backbeats, and prominent guitar solos, often framed by warm, analog production. Rather than being a single stylistic branch, classic rock curates a canon that spans hard rock, blues rock, folk rock, psychedelic and progressive strains, and heartland- and country-tinged rock. Albums and album-oriented rock (AOR) values—extended tracks, conceptual cohesion, and musicianship—are central to its identity. The sound evokes tube-amp crunch, Hammond organs, stacked vocal harmonies, and anthemic songwriting designed for both FM radio and the concert arena.
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Classical
Classical music is the notated art-music tradition of Europe and its global descendants, characterized by durable forms, carefully codified harmony and counterpoint, and a literate score-based practice. The term “classical” can refer broadly to the entire Western art-music lineage from the Medieval era to today, not just the Classical period (c. 1750s–1820s). It privileges long-form structures (such as symphonies, sonatas, concertos, masses, and operas), functional or modal harmony, thematic development, and timbral nuance across ensembles ranging from solo instruments to full orchestras and choirs. Across centuries, the style evolved from chant and modal polyphony to tonal harmony, and later to post-tonal idioms, while maintaining a shared emphasis on written notation, performance practice, and craft.
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Folk
Folk is a song-centered acoustic tradition rooted in community storytelling, everyday life, and social history. It emphasizes clear melodies, simple harmonies, and lyrics that foreground narrative, protest, and personal testimony. As a modern recorded genre, folk coalesced in the early-to-mid 20th century in the United States out of older ballad, work song, and rural dance traditions. It typically features acoustic instruments (guitar, banjo, fiddle, mandolin, harmonica), strophic song forms, and participatory singing (choruses, call-and-response).
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Folk Rock
Folk rock is a fusion genre that blends the narrative lyricism, modal melodies, and acoustic timbres of traditional folk with the backbeat, amplification, and song structures of rock. It typically pairs acoustic or traditional instruments (acoustic guitar, mandolin, fiddle) with a rock rhythm section (electric guitar, bass, drums), often featuring chiming 12‑string guitar textures, close vocal harmonies, and socially conscious or storytelling lyrics. The result ranges from intimate, reflective ballads with a steady backbeat to more anthemic, roots‑driven rock. Emerging in the mid‑1960s through artists such as Bob Dylan and The Byrds, folk rock became a gateway for traditional and roots materials to enter mainstream popular music, and it seeded later movements from country rock and Americana to jangle pop and modern indie folk.
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Hip Hop
Hip hop is a cultural and musical movement that emerged from Black, Latino, and Caribbean communities, centering around rapping (MCing), DJing/turntablism, sampling-based production, and rhythmic speech over beats. It prioritizes groove, wordplay, and storytelling, often reflecting the social realities of urban life. Musically, hip hop is built on drum-centric rhythms (from breakbeats to 808 patterns), looped samples, and bass-forward mixes. Lyrically, it ranges from party anthems and braggadocio to political commentary and intricate poetic forms, with flow, cadence, and rhyme density as core expressive tools. Beyond music, hip hop encompasses a broader culture, historically intertwined with graffiti, b-boying/b-girling (breakdance), fashion, and street entrepreneurship, making it both an art form and a global social language.
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Rock
Rock is a broad family of popular music centered on amplified instruments, a strong backbeat, and song forms that foreground riffs, choruses, and anthemic hooks. Emerging from mid‑20th‑century American styles like rhythm & blues, country, and gospel-inflected rock and roll, rock quickly expanded in scope—absorbing folk, blues, and psychedelic ideas—while shaping global youth culture. Core sonic markers include electric guitar (often overdriven), electric bass, drum kit emphasizing beats 2 and 4, and emotive lead vocals. Rock songs commonly use verse–chorus structures, blues-derived harmony, and memorable melodic motifs, ranging from intimate ballads to high‑energy, stadium‑sized performances.
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Choral
Choral refers to music written for and performed by a choir—an ensemble of voices organized into sections such as soprano, alto, tenor, and bass (SATB), or same-voice groupings (SSA, TTBB). It encompasses both sacred and secular repertoire and may be sung a cappella or with accompaniment by organ, piano, or full orchestra. Stylistically, choral music ranges from chant-like monophony to intricate polyphony and rich homophonic textures. Texts are drawn from liturgy, scripture, poetry, and vernacular sources, and are set in many languages. Performance contexts include church services, concert halls, and community events, making choral one of the most socially embedded and widely practiced forms of ensemble music. Across history, choral music has served as a laboratory for vocal counterpoint, word painting, and text-driven form, while functioning as a cultural bridge among religious rites, national traditions, and contemporary concert practice.
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Albums
1990
Jean Leloup et la Sale Affaire
Jean Leloup
Jean Leloup et la Sale Affaire
De La Soul Is Dead
De La Soul
By Design
Billy Cobham
In Vivo Veritas
Parabellum
Music for a New Society
John Cale
I Call Your Name
Willy DeVille
Still Life With Guitar
Kevin Ayers
Contamination Rises
No Return
Onde Colorée
Post Image
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Artists
Kat Onoma
Joan Baez
The Doobie Brothers
Kočani Orkestar
Monte-Carlo Philharmonic Orchestra
Klaus Schulze
Loudblast
Doc Watson
Nino Ferrer
Erik Satie
Gabriel Fauré
Jean-Philippe Rameau
De La Soul
Manu Dibango
Véronique Gens
John Cale
Clarika
Camille Saint-Saëns
Charlie Rich
Hubert-Félix Thiéfaine
Robert Charlebois
Billy Cobham
Ensemble Vocal de Lausanne
Michel Corboz
Christophe Coin
Kevin Ayers
Hector Berlioz
Ernest Chausson
Warren Smith
Buffy Sainte-Marie
Jean-Luc Ponty
Scan X
The Brian Setzer Orchestra
André Campra
Ensemble Instrumental de Lausanne
Pascal Monteilhet
Ike & Tina Turner
Tom Paxton
The Dixie Cups
Armin Jordan
Moon Martin
Jean Leloup
Various Artists
Willy DeVille
Parabellum
Ensemble baroque de Limoges
Les Tambours du Bronx
No Return
Alexis de Castillon
Jean-Paul Fouchécourt
La Simphonie du Marais
Hugo Reyne
La Sale Affaire
Lo’Jo
Odeurs
Chanson Plus Bifluorée
Post Image
Le Cri de la Mouche
Marc Morgan
Vic Dickenson Septet
Grinder’s Switch
Carl Mann
Afrobeat Blaster
Oui Oui
Stan Cuesta
Jukkis Uotila
Garlic Frog Diet
Magali Dami
Choice
Bruno Maman
Farid Russlan
Pigalle
Carole Laure
Sébastien Le Camus
Étienne Lemoyne
Françoise Pollet
Jacques Gallot
André Danican Philidor
Quatuor Kandinsky
Bernard Desgraupes
Ensemble Erwartung
Peter Harvey
House Of Pain
Garland Jeffreys
Robert de Visée
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Melodding was created as a tribute to
Every Noise at Once
, which inspired us to help curious minds keep digging into music's ever-evolving genres.