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Blue Note
New York
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Hard Bop
Hard bop is a mid‑1950s subgenre of jazz that extends bebop’s virtuosic improvisation while bringing back a more explicitly African‑American groove. It incorporates pronounced influences from blues, rhythm & blues, and gospel—especially evident in riff‑based heads, church‑like harmonic movements on piano, and earthy saxophone phrasing. Compared with bebop, hard bop favors stronger backbeat accents, more grounded bass lines, and memorable, soulful melodies, all while retaining fast, harmonically rich improvisation when desired. Typical ensembles are small groups (often quintets) with trumpet, tenor sax, piano, bass, and drums. The style’s hallmark is the blend of bop harmony and lines with blues/gospel feeling and a driving swing feel.
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Jazz
Jazz is an improvisation-centered music tradition that emerged from African American communities in the early 20th century. It blends blues feeling, ragtime syncopation, European harmonic practice, and brass band instrumentation into a flexible, conversational art. Defining features include swing rhythm (a triplet-based pulse), call-and-response phrasing, blue notes, and extended harmonies built on 7ths, 9ths, 11ths, and 13ths. Jazz is as much a way of making music—spontaneous interaction, variation, and personal sound—as it is a set of forms and tunes. Across its history, jazz has continually hybridized, from New Orleans ensembles and big-band swing to bebop, cool and hard bop, modal and free jazz, fusion, and contemporary cross-genre experiments. Its influence permeates global popular and art music.
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Artists
Various Artists
Byrd, Donald
Watkins, Doug
Fuller, Curtis
Silver, Horace, Quintet, The
Blakey, Art & The Jazz Messengers
Gillespie, Dizzy
Garner, Erroll
Bechet, Sidney
Jackson, Milt
Lewis, John
Monk, Thelonious
Griffin, Johnny
Davis, Miles
Turrentine, Stanley
Heath, Percy
Roach, Max
Brown, Clifford
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Melodding was created as a tribute to
Every Noise at Once
, which inspired us to help curious minds keep digging into music's ever-evolving genres.