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Ballad
A ballad is a narrative song form that tells a story in simple, singable stanzas, traditionally using quatrains in ballad meter (alternating lines of iambic tetrameter and trimeter with an ABCB rhyme scheme). Ballads typically recount dramatic events—love, betrayal, tragedy, murder, the supernatural—or notable historical incidents. Early ballads were often sung unaccompanied or with minimal accompaniment, carried by memorable, modal melodies and refrains that aided oral transmission. Over time, the term also came to describe slow, sentimental popular songs in the 20th century, but the core of the genre remains the storytelling focus and strophic, easily learned structure. Ballads are central to the English- and Scots-language folk traditions, migrated to North America where they flourished in Appalachian singing, and continue to be performed, adapted, and reinterpreted in contemporary folk and roots scenes.
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Boogie
Boogie (often called boogie-funk or post-disco) is a mid‑tempo, synth-forward strain of R&B that emerged as disco’s luminous sheen gave way to sleeker, funkier production. It centers on rubbery basslines (often synth-bass), crisp handclaps and clattering drum-machine patterns, jazzy/modern-soul chord voicings, and hook-laden vocals that celebrate nightlife, romance, and empowerment. Typically sitting around 100–115 BPM, boogie blends the rhythmic insistence of funk with disco’s dancefloor sensibility, replacing full orchestras with analog synths, electric pianos, and early drum machines for a glossy yet warm sound.
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Disco
Disco is a dance-music genre and nightlife subculture that crystallized in the United States during the 1970s, drawing especially from African-American, Italian-American, Latino, and queer club communities. Musically, disco is typified by a steady four-on-the-floor kick drum, syncopated and melodic electric-bass lines, lush string sections, bright brass and horns, electric pianos and synthesizers, and percussive, choppy rhythm guitars. Arrangements often feature orchestral colors, handclaps, congas, and vibraphone or bell textures, all engineered to deliver a continuous, groove-forward experience for the dance floor. The style combines the rich orchestration and romantic sweep of Philadelphia soul with the bottom-end drive of funk and the songcraft of contemporary R&B/pop, delivered in DJ-friendly extended mixes and 12-inch singles designed for club play.
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Jazz
Jazz is an improvisation-centered music tradition that emerged from African American communities in the early 20th century. It blends blues feeling, ragtime syncopation, European harmonic practice, and brass band instrumentation into a flexible, conversational art. Defining features include swing rhythm (a triplet-based pulse), call-and-response phrasing, blue notes, and extended harmonies built on 7ths, 9ths, 11ths, and 13ths. Jazz is as much a way of making music—spontaneous interaction, variation, and personal sound—as it is a set of forms and tunes. Across its history, jazz has continually hybridized, from New Orleans ensembles and big-band swing to bebop, cool and hard bop, modal and free jazz, fusion, and contemporary cross-genre experiments. Its influence permeates global popular and art music.
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Pop
Pop is a broad, hook-driven style of popular music designed for wide appeal. It emphasizes memorable melodies, concise song structures, polished vocals, and production intended for radio, charts, and mass media. While pop continually absorbs elements from other styles, its core remains singable choruses, accessible harmonies, and rhythmic clarity. Typical forms include verse–pre-chorus–chorus, frequent use of bridges and middle-eights, and ear-catching intros and outros. Pop is not defined by a single instrumentation. It flexibly incorporates acoustic and electric instruments, drum machines, synthesizers, and increasingly digital production techniques, always in service of the song and the hook.
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Rock
Rock is a broad family of popular music centered on amplified instruments, a strong backbeat, and song forms that foreground riffs, choruses, and anthemic hooks. Emerging from mid‑20th‑century American styles like rhythm & blues, country, and gospel-inflected rock and roll, rock quickly expanded in scope—absorbing folk, blues, and psychedelic ideas—while shaping global youth culture. Core sonic markers include electric guitar (often overdriven), electric bass, drum kit emphasizing beats 2 and 4, and emotive lead vocals. Rock songs commonly use verse–chorus structures, blues-derived harmony, and memorable melodic motifs, ranging from intimate ballads to high‑energy, stadium‑sized performances.
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Smooth Jazz
Smooth jazz is a radio-friendly offshoot of jazz that blends the harmonic vocabulary and improvisational flavor of jazz with the gentle grooves of R&B, pop, and easy listening. It emphasizes melody, polished production, and laid‑back rhythms over extended improvisation or complex swing feels. Typically mid‑tempo and sleek, smooth jazz favors clean electric guitar, soprano or alto saxophone leads, warm electric piano (Rhodes) and synth pads, and a tight, understated rhythm section. The result is music designed for relaxed listening—romantic, urbane, and sophisticated—yet still rooted in jazz harmony and phrasing.
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Albums
Pi
Lipali
Piątek3nastego
AmetriA
Złote Przeboje: Kolędy I Pastorałki
Various Artists
The Best of 1996-2006
Łzy
Twarze
Milczenie Owiec
Funky State of Mind
The Crackers
Obywatel świata
Obywatel G.C.
Sumud
Shahid
Live Character
Jacek Wójcicki
Olewka
Yaro
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Artists
Henryk Górecki
Marek Grechuta
Bajm
GOLEC UORKIESTRA
Wilki
Perfect
Ich Troje
Leszek Możdżer
Agnieszka Chylińska
Jamal
Aga Zaryan
Novika
Myslovitz
Various Artists
Piwnica pod Baranami
Wojciech Młynarski
Jacek Kaczmarski
Mietek Szcześniak
Mirosław Czyżykiewicz
Adam Makowicz
Natalia Kukulska
Anna Jantar
L.U.C
Formacja Nieżywych Schabuff
Sztywny Pal Azji
Lipali
Stanisław Soyka
Kwartet Śląski
Budzyński
Armia
Edyta Górniak
Ocean
Grzegorz Turnau
Justyna Steczkowska
Vlasova, Eugenia
Ballady i Romanse
AmetriA
Łzy
Milczenie Owiec
The Crackers
Obywatel G.C.
Shahid
Jacek Wójcicki
Yaro
Magda Umer
Plastic
Beata
Urszula Sipińska
Zbigniew Namysłowski
Electric Rudeboyz
Nina Stiller
Dżem
Grzegorz Ciechowski
Ewa Małas-Godlewska
Goya
T.Love
Pati Yang
Szwagierkolaska
John Porter
Papa Dance
Wolna Grupa Bukowina
Sto % bawełny
PIN
Blue Café
Red
Maanam
Jarek Śmietana
Mathplanete
Maria Peszek
Agressiva 69
Dima Chaaback
Anna German
Czerwony Tulipan
Paranormal
Stare Dobre Małżeństwo
Gosia Andrzejewicz
NO!NO!NO!
Miss Polski
très.b
Nie Wiem Kto
Dąbrówka
Robert M
Zakopower
FlyKKiller
Sweet Noise
TrzyDwa%UHT
Andrzej Sikorowski
Łąki Łan
Kapela ze Wsi Warszawa
Łukasz Targosz
Feel
Cate Likes Candy
Joanna Włodarska
Grupa MoCarta
Afromental
HooDoo Band
My Riot
Öszibarack
Piotr Lisiecki
Izrael
IZA
Iwona Węgrowska
Damian Holecki
Mikromusic
Reni Jusis
Voo Voo
Włodi
Pokahontaz
Patrycja Markowska
Anita Lipnicka
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Melodding was created as a tribute to
Every Noise at Once
, which inspired us to help curious minds keep digging into music's ever-evolving genres.