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Touch of Gold
France
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Electronic
Electronic is a broad umbrella genre defined by the primary use of electronically generated or electronically processed sound. It encompasses music made with synthesizers, drum machines, samplers, computers, and studio/tape techniques, as well as electroacoustic manipulation of recorded or synthetic sources. The genre ranges from academic and experimental traditions to popular and dance-oriented forms. While its sonic palette is rooted in electricity and circuitry, its aesthetics span minimal and textural explorations, structured song forms, and beat-driven club permutations. Electronic emphasizes sound design, timbre, and studio-as-instrument practices as much as melody and harmony.
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Euro House
Euro house is a commercially oriented branch of house music that crystallized in continental Europe in the early 1990s. It blends the four-on-the-floor rhythms and club structure of house with the glossy melodies, big hooks, and pop accessibility of European chart music. Characterized by bright piano/organ stabs (often from the Korg M1), prominent diva-style vocals or chant-like hooks, punchy 909/808 drum programming, and uplifting chord progressions, euro house aimed squarely at radio and mainstream dancefloors. It often overlaps with early Eurodance, but tends to keep closer to straight house grooves and fewer rap verses. The style was driven largely by Italian, German, Belgian, and British producers and labels, delivering high-energy tracks that translated equally well to clubs, TV music shows, and pan-European charts.
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Hip House
Hip house is a hybrid dance style that fuses the four-on-the-floor pulse and synthesizer-driven textures of house music with the rhythmic vocal delivery and party-centric lyricism of hip hop. Emerging in the late 1980s, especially in Chicago and quickly spreading to New York and the UK, hip house pairs drum machine grooves, piano/organ stabs, and catchy house hooks with MC-led verses and crowd-rousing chants. The result is music that is relentlessly club-focused, upbeat, and designed for rap-led call-and-response over pumping house beats. While often minimal in harmony, hip house is maximal in energy—characterized by brisk tempos, prominent kicks on every beat, and charismatic, sometimes humorous lyrics that celebrate the dancefloor and DJ culture.
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Albums
Así me gusta a mí (Esta sí... Esta no)
Chimo Bayo
Red Man
Ken Laszlo
Get Ready for This
2 Unlimited
Réveil... Trompette
2 Horns
Boys and Girls
Charlie Makes the Cook
That’s What I Call Joint Mix
Tolga "Flim Flam" Balkan
La Plus Grande Discothèque Du Monde Vol.3
Various Artists
T. Keela
T. La Tone
Red Man
Ken Laszlo
I Love Rock 'n' Roll
Joan Jett and the Blackhearts
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Artists
2 Unlimited
Village People
Joan Jett & the Blackhearts
Ken Laszlo
Ice Mc
Bass Bumpers
Pleasure Game
Various Artists
Felicia
Cartouche
E. Mello
2 Horns
Charlie Makes the Cook
Tolga “Flim Flam” Balkan
T. La Tone
Jackie Moore
Amnesia
Palma
Tommy Snyder
Flagrant Désir
Mastermixers Unity
P4F
Chimo Bayo
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Melodding was created as a tribute to
Every Noise at Once
, which inspired us to help curious minds keep digging into music's ever-evolving genres.