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Broke
United Kingdom
Related genres
Breakbeat
Breakbeat is a broad branch of electronic music defined by its use of broken, syncopated drum patterns ("breakbeats") rather than straight four-on-the-floor rhythms. Producers typically build tracks from looped and chopped drum breaks—often sampled from vintage funk, jazz, and R&B recordings—layered with basslines, synths, and effects. As both a production technique and a stylistic umbrella, breakbeat underpins and intersects with many scenes: from old‑school hip‑hop turntablism and electro to the UK rave continuum (breakbeat hardcore, big beat, Florida breaks) and onward to garage-derived styles. While not synonymous with jungle and drum & bass, the same culture of sampling and chopping classic breaks (e.g., the Amen break) helped inform those genres as well.
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Tech House
Tech house is a dancefloor-focused fusion of techno’s precision and house music’s groove. It emphasizes stripped‑back, percussive rhythms, rolling basslines, and clean, punchy drums, typically in the 120–130 BPM range. Compared to straight techno, tech house is funkier and more shuffle-oriented; compared to classic or deep house, it is darker, more minimal, and more machine-driven. Tracks often feature long DJ‑friendly intros/outros, subtle automation, sparse vocals or chopped one‑shots, and a strong emphasis on groove continuity over big melodic moments. Sound design favors tight 909/808-style drums, crisp open hats, snappy claps, subby or mid‑bass riffs, and understated stabs or chords. Modern tech house has broadened from its 1990s underground UK roots to global festival and club contexts, retaining its core identity of percussive drive and streamlined arrangements.
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Breaks
Breaks is a broad electronic dance music style built around syncopated breakbeat drum patterns instead of a straight four-on-the-floor kick. It emphasizes sliced, rearranged, and layered drum breaks—often sampled from classic funk, hip hop, and early electro—combined with heavy sub-bass and club-ready arrangements. As a scene and label category, “breaks” crystallized in the UK in the late 1990s out of the rave continuum, alongside big beat and later “nu skool breaks.” While tempos usually range from roughly 125–140 BPM, the defining trait is the swung, shuffling, and fragmented rhythm that drives dancers with push–pull groove rather than rigid grid-based kicks. Breaks spans a spectrum from funky, party-oriented tracks to darker, techy, bass-heavy material (often called tech breaks). Across its variants, it remains DJ-friendly, sample-savvy, and grounded in the art of drum manipulation.
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Albums
I Run
Haven., JKAY, Misdemeanor, Kleinert, Cathleen, Cru2, Denon Reed
The Ends of the Earth, Issue 4
Screwface & Autobots feat. MC Navigator / Far Too Loud & Specimen A
Burn
The Autobots vs. Screwface feat. MC Navigator
4L
Sainté
The Ends Of The Earth Issue 2
Agent Alvin & Dunsta / Affinity
Fresh Air
Unbalanced Jack
Apocalypse / Funk Pill
Autobots vs. Screwface / Wavewhore feat. Bex Riley
Seconds Out / Melody
The Autobots / The Breakfastaz
Bullet Time / Six Million Ways
Deep Impact & The Autobots / Deep Impact
Last Flight
Free Friends & Ben DeHan
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Artists
Sematary
Vieze Asbak
Far Too Loud
Sainté
ACRAZE
Hackle
Specimen A
Lil Mabu
Free Friends
Various Artists
Navigator
Ctrl Z
Affinity
Deep Impact
The Breakfastaz
Autobots
Schumacher
Tiki
Screwface
Antiform
Agent Alvin
Dunsta
Unbalanced Jack
Wavewhore
Rebecca Riley
Ben DeHan
MC Twincam
Neesh
Ethical
MC Kyla
Crown Jewelz
Killa Benz
HAVEN.
blackbear
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Melodding was created as a tribute to
Every Noise at Once
, which inspired us to help curious minds keep digging into music's ever-evolving genres.