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Big Room House
Big room house is a festival-focused strain of EDM built for massive sound systems and outdoor main stages. It typically runs around 126–132 BPM (most commonly 128), uses four-on-the-floor kick patterns, and features huge, simple lead riffs designed to be instantly memorable to large crowds. A defining trait is the contrast between cinematic, reverb-washed breakdowns and ultra-dry, percussive drops driven by a powerful kick, sub, and a few bold supersaw or horn-like synth stabs. Arrangements lean on dramatic builds with snare rolls, risers, and crowd-hyping vocal chops, culminating in drops that emphasize impact over harmonic complexity.
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Jumpstyle
Jumpstyle is a hard dance genre built for high-energy club play and its namesake dance, characterized by a punchy four-on-the-floor beat at around 140–150 BPM, offbeat bass pulses, and simple, catchy synth riffs. It sits sonically between older European hard house and the less distorted edge of early hardstyle, favoring reverse-bass kicks, gated supersaw leads, and stripped-down, percussive arrangements that highlight the rhythm of the jumpstyle steps. While melodies are typically straightforward and anthemic, the production emphasizes tight, sidechained low-end, crisp claps on 2 and 4, and short vocal shouts or hooks designed for crowd participation.
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Edm
EDM (Electronic Dance Music) refers to the mainstream, festival-oriented wave of electronic dance styles that rose to global prominence in the early 2010s. It emphasizes high-energy drops, ear-catching toplines, and crowd-pleasing arrangements designed for large stages and mass audiences. Musically, EDM typically sits around 124–130 BPM with a strong four-on-the-floor kick, wide supersaw leads, bright plucks, and heavily sidechained pads and basses for a pumping feel. Tracks are structured around tension-and-release: intros and builds lead to explosive drops, followed by breakdowns that rebuild energy. Vocals and pop-style songwriting frequently appear, enabling crossover success on radio and streaming platforms.
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Electro House
Electro house is a high-energy branch of house music characterized by distorted, buzzing bass leads, crisp four‑on‑the‑floor drums, and dramatic, festival-ready drops. It typically runs around 125–130 BPM, favoring aggressive, sawtooth-based synth timbres, heavy sidechain compression, and big, riff-like hooks over lush chord progressions. Production emphasizes powerful low-end, gritty midrange textures, noise sweeps and risers, and tightly structured builds and breakdowns that set up explosive drops. While rooted in house and electro traditions, its sound design borrows from techno’s intensity and big beat’s punch, resulting in a bold, modern, and club-focused aesthetic.
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Euphoric Hardstyle
Euphoric hardstyle is a melodic, uplifting branch of hardstyle that emphasizes anthemic supersaw leads, emotional chord progressions, and sing-along vocals while retaining the genre’s trademark distorted, punchy kick at around 150 BPM. It typically features long, trance-like breakdowns that build into powerful climaxes where pitched hardstyle kicks follow the lead’s melody, creating an ecstatic, festival-ready feel. Compared with rawstyle, euphoric hardstyle prioritizes warmth, harmony, and positive energy over aggression and dissonance.
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Progressive House
Progressive house is a melodic, long-form strain of house music known for gradual builds, evolving textures, and a strong sense of tension and release. It favors hypnotic grooves, lush pads, and emotive chord progressions over abrupt drops. Typically sitting around 122–128 BPM in 4/4 time, tracks unfold over six to nine minutes, introducing small changes every few bars to keep momentum. The sound balances club-focused punch with cinematic atmosphere, making it equally at home in late-night dancefloors and long-form DJ sets.
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Artists
Various Artists
Haris
Vicetone
McLoughlin, Collin
KSHMR
Marnik
Kura
Bali Bandits
Maddix
Futuristic Polar Bears
Gold, Thomas
Syn Cole
Bassjackers
W&W
Bynon
Manse
Mako
Romero, Nicky
Dash Berlin
Kenneth G
Arston
Lucky Date
DBSTF
Nash, Matt
Rico & Miella
Buuren, Armin van
Paris & Simo
Sick Individuals
Mightyfools
Jones, Chris
Sixma, Mark
Headhunterz
3LAU
Bright Lights
Hardwell
Lil Jon
Burns, Christian
Blohm, Paris
Monroe, Envy
FTampa
Swanky Tunes
MAKJ
Fong, Henry
Dazz, Jordy
Trash, Tommy
Dannic
Shermanology
Evans, Faith
Deorro
Allure
Calor, Julian
Harrison
Showtek
Luciana
Silva, Sandro
Alvaro
Wiwek
Sultan + Shepard
Quilla
Dyro
DallasK
Firebeatz
J‐Trick
Merk & Kremont
Ozcan, Ummet
Crown, Mitch
Ralvero
TV Noise
JoeySuki
Newson, Thomas
Blasterjaxx
Spekter, David
Brun, Michaël
JAGGS
Alpharock
Conro
Row Rocka
Neall, Sam O'
Koma, Matthew
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Melodding was created as a tribute to
Every Noise at Once
, which inspired us to help curious minds keep digging into music's ever-evolving genres.