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Description

Reggaeton is a contemporary urban dance music that blends the dembow rhythm of Jamaican dancehall with hip hop’s MC culture and Caribbean–Latin melodic sensibilities. Its hallmark is the propulsive, syncopated “dembow” drum pattern, typically around 85–100 BPM (often felt in half-time), which powers energetic verses and catchy, sung hooks.

Lyrically, reggaeton is most often in Spanish or Spanglish and centers on dance, nightlife, flirtation, romance, and street life, with a performance style that alternates between rapped bars and melodic chorus lines. Production emphasizes tight, punchy drums, rolling 808 sub-bass, percussive plucks or stabs, and bright, hook-forward toplines—crafted for the club and tailored for crowd participation and perreo.

History
Origins (late 1980s–1990s)

Reggaeton’s roots trace to Panama’s reggae en español movement, where Jamaican dancehall and reggae were interpreted in Spanish. Meanwhile, in Puerto Rico during the early-to-mid 1990s, DJs and MCs fused dancehall’s dembow rhythm with hip hop’s flows on underground mixtapes (notably DJ Playero’s), performed at parties and clandestine clubs. This emerging sound—initially called "underground"—absorbed local Afro–Puerto Rican traditions like bomba and plena while keeping the Caribbean dancehall backbone.

Breakthrough and Globalization (2000s)

By the early 2000s, artists such as Daddy Yankee, Tego Calderón, Ivy Queen, Don Omar, and Wisin & Yandel took reggaeton from the underground to international charts. The 2004 hit "Gasolina" became a global touchstone, introducing the dembow to mainstream audiences. Albums and compilations spread the sound across Latin America, the U.S. Latin market, and Europe, while Cuba’s scene developed its own variant (cubaton).

Streaming Era and Hybrids (2010s–present)

In the 2010s, streaming platforms accelerated reggaeton’s global reach. A newer wave—J Balvin, Bad Bunny, Ozuna, Karol G, Nicky Jam (resurgent)—blended reggaeton with pop, trap, R&B, and Afro-Caribbean rhythms. Subcultures and derivatives proliferated (neoperreo, regional scenes like reggaetón mexicano and reggaetón chileno), and crossovers with EDM birthed moombahton. The dembow pulse became a universal club lingua franca, influencing pop worldwide while retaining its Puerto Rican–Caribbean identity.

A Lasting Blueprint

The genre’s enduring core is the dembow groove: a syncopated, tension-and-release engine that supports rap-sung delivery and hook-centric songwriting. This template continues to evolve through production innovation (808 design, vocal processing) and cross-genre collaborations while remaining synonymous with dance-floor energy and perreo culture.

How to make a track in this genre
Groove and Tempo
•   Aim for 85–100 BPM (often felt in half-time). Build around the dembow rhythm: a syncopated kick–snare pattern that emphasizes forward motion and perreo-friendly bounce. •   A simple starter grid per bar (4/4) is: Kick on beat 1, a syncopated kick before beat 3, snare/clap strongly on beat 3, and ghosted/percussive hits around the "and" of 2 and 4. Layer shakers, hats, and congas/bongos for swing.
Drums and Bass
•   Drums: Tight, dry kicks; crisp claps/snares; bright open hats; auxiliary percussion (congas, timbales, güira) for regional color. •   Bass: Subby 808s with occasional slides/glides. Leave space for the kick; sidechain bass to kick for clarity.
Harmony and Melody
•   Keep harmony minimal: 2–4 chords looped over 4–8 bars (common in minor keys). Popular moves include i–VII–VI or i–VI–III–VII. •   Melodic elements: Plucky synths, pitched mallets, or muted guitars doubling rhythmic motifs. Write an earworm chorus with a strong, repeatable topline.
Vocals and Lyrics
•   Alternate rap-like verses with sung choruses. Use call-and-response and short phrases that land on the backbeat. •   Themes: dance, flirtation/sensuality, nightlife, swagger, and empowerment. Spanish or Spanglish delivery, with tasteful autotune and ad-libs to enhance groove.
Arrangement and Sound Design
•   Structure: Intro (drums or hook motif), Verse, Pre-chorus (tension), Chorus (full groove), Post-chorus (perreo drop), Verse 2, Bridge/Break, Final Chorus. •   Sound design: Clean, punchy drums; layered claps; percussive stabs/brass; filtered risers and reverse cymbals for transitions.
Mixing Tips
•   Prioritize groove: sidechain bass/pads to kick; carve mids for vocal space; add stereo width to hats and textures while keeping kick, bass, and lead vocal centered. •   Use subtle saturation on drums and parallel compression on percussion bus for energy without harshness.
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