Your digger level
0/5
🏆
Sign in, then listen to this genre to level up
Description

Hi‑tech full‑on is a high‑energy branch of psytrance that fuses the rolling, peak‑time drive of full‑on with the speed, hyper‑detailed sound design, and futuristic timbres of hi‑tech and darkpsy. Typical tempos range from 150 to 170 BPM, with snappy kicks, tightly sidechained rolling basslines, and dense, micro‑edited percussive fills.

The style emphasizes metallic FM/wavetable leads, laser‑like zaps, rapid pitch and formant modulations, and granular/glitch resampling. Arrangement tends to be relentless and kinetic—short breakdowns, frequent switch‑ups, and high contrast edits—while harmony is sparse or modal, often leaning into sci‑fi atmospheres rather than big melodic themes. The overall feel is explosive, technical, and dancefloor‑driven, yet more playful and luminous than the horror‑leaning edges of darkpsy.

History
Origins (late 2000s)

Emerging in the late 2000s, hi‑tech full‑on crystallized as producers blended the peak‑time propulsion of Israeli and South African full‑on with the speed, edits, and textural extremity of darkpsy/psycore scenes flourishing across Russia, Germany, Mexico, and Japan. Artists pushed tempos beyond standard full‑on, adopted sharper sound design, and favored short, high‑impact breakdowns over extended melodic arcs.

Development and labels

Independent labels associated with dark/experimental psy (e.g., Noise Poison, Insomnia, Active Meditation, Parvati’s darker offshoots, Tantrumm) became conduits for faster, brighter, and more technical interpretations, while full‑on‑leaning catalogs absorbed hi‑tech’s editing ethos. The result was a hybrid: relentless night‑time power with clean, modern production and glitch‑forward ear‑candy.

Scene and festivals

By the early–mid 2010s the sound had reliable homes on night and hi‑tech stages at European and Latin American festivals (Croatia, Germany, Mexico, Russia), as well as club nights that favored faster BPMs. It thrived in late‑night slots where dancers wanted intensity without the oppressive darkness of the most extreme psycore.

Modern era

Today, hi‑tech full‑on remains a specialized but influential lane in psytrance. Its speed, laser‑edits, and bass engineering have fed back into contemporary full‑on and helped inspire adjacent fast styles (including harder, hybridized "psystyle" sets). The style continues to evolve around higher BPMs, surgical mixdowns, and futuristic, AI/sci‑fi‑coded aesthetics.

How to make a track in this genre
Rhythm and tempo
•   Target 150–170 BPM. Keep the groove tight and forward‑leaning with minimal swing. •   Use a punchy, short kick (50–60 Hz focus) and a tightly sidechained rolling bassline (1/16 notes with 1/32 flourishes and occasional triplet turns).
Bass and low end
•   Design a mono, clean, fast‑decaying bass with precise envelope control. Alternate subtle variations every 1–2 bars to maintain momentum without clutter. •   Apply sidechain and transient shaping so kick and bass never mask each other; automate filters to create breathing motion during transitions.
Sound design (the “hi‑tech” edge)
•   Favor FM/wavetable leads, metallic stabs, formant sweeps, and laser zaps. Layer with short, high‑rate modulations (pitch, phase, formant) and micro‑edits. •   Use granular resampling, retrigger gates, glitch/stutter tools, and surgical fills (1/32–1/64 bursts) to punctuate phrases. •   Build FX worlds: sci‑fi atmospheres, uplifters/downshifters, doppler sweeps, circuit‑like bleeps, and robotic vox snippets.
Harmony and melody
•   Keep harmony sparse or modal (minor/Phrygian/Locrian colors). Emphasize motif fragments and call‑and‑response between zaps and leads over long melodies. •   Short breakdowns: establish tension with filtered bass/FX, then snap back quickly to the drop.
Arrangement
•   Structured in 16/32‑bar cells with frequent switch‑ups. Use fills, bass motif changes, and FX risers to mark every 16 bars; reserve bigger transformations for 64‑bar milestones. •   Automate tempo‑like energy via density and edit‑rate rather than actual BPM changes.
Mixing and mastering
•   Prioritize headroom; use precise multiband control to keep the midrange uncluttered. •   Tight transient management (kick/bass) and controlled stereo imaging (keep low end mono; spread only mids/highs). •   Fast release compression, careful limiting, and clip groups for consistent loudness without smearing transients.
Tools
•   Any modern DAW (Ableton/Bitwig/FL). Rely on FM/wavetable synths (Vital, Serum, Phase Plant), transient shapers, glitch/gate utilities, spectral/phase vocoders, and precise sample editors.
Influenced by
© 2025 Melodigging
Melodding was created as a tribute to Every Noise at Once, which inspired us to help curious minds keep digging into music's ever-evolving genres.