Your level
0/5
🏆
Listen to this genre to level up
Description

Full-on (often called full-on psytrance) is a high-energy, melodic branch of psychedelic trance characterized by a driving 4/4 kick, a tightly “rolling” 1/16-note bassline, and bright, supersaw/acid leads that build toward euphoric peaks.

Typically around 142–147 BPM, it emphasizes crisp, punchy low-end (kick–bass interplay) and ear-catching arpeggios, with frequent breakdowns and explosive drops. Compared to darker psytrance strains, full-on foregrounds memorable hooks and festival-friendly arrangements, while retaining the trippy FX, psychedelic transitions, and hypnotic modulation that define psytrance.

History
Origins

Full-on emerged in the late 1990s and crystallized in the early 2000s in Israel’s psytrance scene. Producers distilled the hypnotic drive of Goa trance and the psychedelic sound design of 1990s psytrance into a more direct, hook-forward format. The result was a sound with rolling basslines, big melodic leads, and purposeful build–drop structures suited to large outdoor gatherings.

Early 2000s Expansion

Labels and artists from Israel and Europe popularized the style globally. The combination of clean, powerful production and catchy, uplifting motifs resonated at festivals, helping the genre spread across Europe, Latin America, and beyond. This period defined the classic full-on template: 145-ish BPM, tight kick–bass cohesion, rhythmic synth stabs, and soaring lead themes.

Diversification and Crossovers

As the 2000s progressed, full-on splintered and cross-pollinated. Darker, faster, and more intricate approaches helped seed hi-tech and, later, hi-tech full-on. Meanwhile, its polished bass mechanics and peak-time sensibilities informed modern festival psy and occasional mainstream EDM crossovers. Through the 2010s and 2020s, full-on remained a festival staple, balancing new sound-design trends with the genre’s signature rolling drive and melodic emphasis.

How to make a track in this genre
Core Tempo, Meter, and Groove
•   Tempo: 142–147 BPM in 4/4. •   Groove foundation: a tight, “rolling” 1/16-note bassline that locks to a punchy kick on each quarter note. Sidechain or envelope ducking ensures the bass yields to the kick transient.
Sound Design and Harmony
•   Leads: supersaws, PWM stacks, acid lines (303-style), and FM/PM plucks. Modulate filter cutoff, resonance, and pitch for movement; automate reverb/delay sends for lift-offs. •   Harmony: minor keys are common (Aeolian, Phrygian, and occasional Phrygian dominant for exotic color). Use memorable 4–8 bar motifs, then vary with octave shifts, counter-melodies, and rhythmic reharmonization. •   FX: psychedelic zaps, risers, pitch-bent uplifters, reverse cymbals, spectral whooshes, and granular swoops glue transitions.
Rhythm and Arrangement
•   Drums: solid kick (clean fundamental), tight offbeat/open hats, syncopated rides, and occasional tom/snare fills. Keep percussion crisp to preserve low-end clarity. •   Arrangement archetype: intro (DJ-friendly), first lift/drop (~32–64 bars), mid breakdown with melodic exposition, second act escalation, final peak, and stripped outro. Frequent 8–16 bar energy ramps sustain dancefloor momentum.
Mixing and Engineering
•   Kick–bass: tune to the track’s key; carve complementary EQ notches (e.g., sidechain or envelope shaping) to avoid masking. Keep sub in mono; use saturation for audibility. •   Space: short, bright reverbs for leads; longer, filtered tails for breakdowns. Delay and stereo modulation add width; keep bass centered. •   Macro dynamics: reserve the widest stereo image and brightest highs for drops; automate filters and master glue (subtle!) to enhance impact without fatigue.
Influenced by
Has influenced
No genres found
© 2025 Melodigging
Melodding was created as a tribute to Every Noise at Once, which inspired us to help curious minds keep digging into music's ever-evolving genres.