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Description

Full on groove is a contemporary branch of psytrance that blends the high-energy impact of classic full‑on with the rolling, swing‑inflected basslines and tight rhythmic phrasing associated with progressive psy. It emphasizes hypnotic, dance‑driven “groove” over maximal melodic fireworks, keeping arrangements punchy and functional for peak‑time dance floors.

Typical tempos sit around 140–146 BPM. The sound palette features a solid 4/4 kick, a round and persistent 1/16 rolling bassline, crisp percussive layers, and filtered psy leads and zaps used sparingly for momentum. Breaks are concise, risers are controlled rather than explosive, and sections often pivot on drum‑bass interplay, shuffle, and micro‑edits, creating a forward‑leaning, festival‑ready flow.


Sources: Spotify, Wikipedia, Discogs, Rate Your Music, MusicBrainz, and other online sources

History

Roots (late 1990s–2000s)

Full‑on psytrance emerged out of late‑1990s Israel from the foundations of Goa trance, raising tempo and impact while keeping psychedelic textures. Through the 2000s, full‑on diversified into daytime/morning and night‑time variants, with different emphases on melody, density, and drive.

Convergence toward groove (early–mid 2010s)

As progressive psytrance’s popularity surged, producers increasingly incorporated its rolling bass mechanics and tighter drum phrasing into full‑on frameworks. The result was a sleeker, groove‑oriented strain—often called “full on groove” or “groovy full‑on”—that kept full‑on’s power and clarity but foregrounded bass‑drum locomotion, swing, and subtle call‑and‑response edits instead of constant lead‑line climaxes.

Consolidation and global spread (late 2010s–2020s)

By the late 2010s, full on groove had become a staple sound across European, Israeli, Latin American, and South/Central Asian psytrance circuits. Labels and DJs championed its functional, mix‑friendly structures for outdoor festivals and large indoor events. The style continued to refine sound design—tighter low‑end, slicker transient control, and tasteful FX—while maintaining a peak‑time, dance‑first identity.

How to make a track in this genre

Tempo, rhythm, and groove
•   Aim for 140–146 BPM. •   Use a tight 4/4 kick with short decay and a clean, sub‑focused body. •   Build a rolling 1/16 bassline (often a single‑note or two‑note pattern) with subtle velocity/accent variations and occasional swing; sidechain gently to the kick to preserve punch without pumping. •   Keep percussion crisp and syncopated: off‑beat hats, shaker rides, and sporadic percussive fills. Small ghost notes and micro‑edits are key to the style’s “groove.”
Harmony and sound design
•   Write in minor keys (A minor, G minor, D minor are common) and use modal color (e.g., Phrygian/Phrygian dominant) for a psychedelic edge. •   Leads are supportive rather than dominant: short stabs, filtered zaps, formant‑like squelches, and evolving textures rather than long melodic arcs. •   Sound sources: VA or wavetable synths (e.g., Serum, Vital, Sylenth) for bass/leads; FM or filtered saws for zaps; granular/FX chains for atmospheres. •   FX: flangers, phasers, band‑pass sweeps, pitch‑mod noise risers, and doppler‑style whooshes—used tastefully.
Arrangement and flow
•   Intro: lock the kick‑bass groove early; introduce percs and minimal FX to cue the rhythm. •   First act: add stabs and call‑and‑response motifs; small breaks maintain momentum rather than big halts. •   Main break: brief (8–16 bars), atmospheric pad or filtered bass tease; quick riser into a focused drop. •   Second act: rotate drum fills, swap bass articulations, and automate filters to keep the groove evolving without overcrowding.
Mixing and mastering
•   Keep sub‑100 Hz mono and phase‑coherent; kick and bass must not mask each other—use surgical EQ and envelope control. •   Transients: sharpen hats/snare tops; tame harshness around 3–6 kHz with dynamic EQ. •   Stereo: widen FX/pads above ~200 Hz; keep core rhythm (kick, bass, main percs) relatively centered. •   Master bus: gentle glue (slow attack, moderate release), transparent limiting, and maintain headroom for impact.

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