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By Dustvoxx
Albums
By Dustvoxx
Supernatural
January 18, 2017
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Frenchcore
Frenchcore is a high‑tempo subgenre of hardcore techno characterized by heavily distorted, punchy kick drums, straight 4/4 rhythms, and anthemic, often euphoric melodies. Its typical tempo ranges from about 180 to 210 BPM, with modern tracks frequently around 190–200 BPM. The signature sound is a hard, saturated kick with a short, clipped tail that drives the groove, accompanied by aggressive leads, rave stabs, and energetic risers. While rooted in the roughness of gabber and industrial hardcore, frenchcore often adds a melodic, even uplifting edge—sometimes drawing on classical motifs or emotional chord progressions—making it well suited for peak‑time festival moments as well as free‑party systems.
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Free Tekno
Free tekno (also written tekno, freetekno, or hardtek) is a fast, hard-edged offshoot of the European free‑party movement. It is typically played on large DIY sound systems at illegal raves and teknivals across Europe, and its spelling “tekno” is a deliberate cultural separation from club‑oriented “techno.” Musically, it is driven by a pounding, highly repetitive 4/4 kick at very high tempos—commonly 150–185 BPM, with many contemporary tracks at 170 BPM or above. Compared with mainstyle hardcore, its bass‑drum distortion is often less clipped and more rounded, emphasizing a relentless, rolling pulse with syncopated fills, shuffling hats, and tribal percussive accents. While largely minimal and percussive, it can fold in rave stabs, acid lines, and trance‑ or psy‑influenced textures due to the close overlap between tekno and psytrance scenes.
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Electronic
Electronic is a broad umbrella genre defined by the primary use of electronically generated or electronically processed sound. It encompasses music made with synthesizers, drum machines, samplers, computers, and studio/tape techniques, as well as electroacoustic manipulation of recorded or synthetic sources. The genre ranges from academic and experimental traditions to popular and dance-oriented forms. While its sonic palette is rooted in electricity and circuitry, its aesthetics span minimal and textural explorations, structured song forms, and beat-driven club permutations. Electronic emphasizes sound design, timbre, and studio-as-instrument practices as much as melody and harmony.
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Melodding was created as a tribute to
Every Noise at Once
, which inspired us to help curious minds keep digging into music's ever-evolving genres.