One Eighty

Christian jazz (often called sacred jazz or gospel jazz) blends the language of jazz—swing, improvisation, and extended harmony—with Christian hymnody, liturgy, and devotional themes. It ranges from concert works like jazz masses and sacred concerts for choir, soloists, and big band, to small-combo arrangements of hymns performed at jazz vespers or church services. Typical textures include jazz rhythm sections supporting congregational song, instrumental reharmonizations of classic hymns, and call‑and‑response patterns borrowed from Black church traditions. Stylistically, it embraces swing and bebop vocabulary, blues inflection, and Latin grooves (such as bossa nova or Afro‑Cuban feels), as well as smoother contemporary backbeats. The result is a reverent yet creative idiom that invites improvisation while serving worship and spiritual reflection.