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By Bishnu Majhi
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By Bishnu Majhi
Musukkai Hasera
August 30, 2009
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Dohori
Dohori is a Nepali folk singing tradition built around a playful, improvised call‑and‑response between two teams—traditionally one of women and one of men. The very word “dohori” means “back and forth,” referring to the exchange of lyrical phrases in a sung dialogue. Performances feature extemporized couplets that pose questions, tease, flirt, or debate, and the opposing team replies in kind with equally poetic lines. The contest can last for minutes or hours, with the crowd encouraging clever wordplay and melodic turns. While rooted in village life and community festivities, dohori also thrives in urban “dohori sanjh” venues and on recordings, where it blends classic instruments and contemporary arrangements. Typical accompaniment includes madal (double‑headed drum), sarangi (bowed lute), bansuri (bamboo flute), and harmonium—sometimes joined by guitar and bass in modern settings. Melodies are modal or pentatonic and set to lively, danceable rhythms.
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