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By Bonobo
Albums
By Bonobo
Late Night Tales: Bonobo
November 17, 2013
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Stomp And Whittle
Stomp and whittle is a rustic-leaning branch of indie folk/folk-rock built on foot-stomp rhythms, handclaps, and DIY, hand-crafted timbres. The "stomp" points to communal, floor-tom or footboard backbeats and gang vocals; the "whittle" evokes acoustic, wooden, and homemade sounds—banjo, mandolin, harmonica, woodblocks, toy instruments, and lightly distressed, room-mic’d recordings. Songs tend to be upbeat and singalong-ready, blending Americana’s front-porch energy with indie pop’s hookiness and anti-folk’s wry intimacy. Arrangements are often sparse-but-percussive: strummed acoustic guitar, offbeat tambourine, clapped backbeats, and call-and-response choruses that feel tailor-made for house shows and small clubs. Lyrically, the style favors story-songs, small-town imagery, and earnest-but-quirky reflections. The result is a warm, communal sound that sits between rootsy authenticity and playful, modern indie craft.
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Downtempo
Downtempo is a mellow, groove-oriented branch of electronic music characterized by slower tempos, plush textures, and a focus on atmosphere over dancefloor intensity. Typical tempos range from about 60–110 BPM, with swung or laid-back rhythms, dub-informed basslines, and warm, jazz-tinged harmonies. Stylistically, it blends the spaciousness of ambient, the head-nodding rhythms of hip hop and breakbeat, and the cosmopolitan smoothness of lounge and acid jazz. Producers often use sampled drums, Rhodes or Wurlitzer electric pianos, guitar licks with delay, and field recordings to create intimate, cinematic soundscapes. The mood spans from soulful and romantic to introspective and dusk-lit, making it a staple of after-hours listening, cafes, and relaxed club back rooms.
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Space Age Pop
Space age pop is a mid‑century style of highly produced “hi‑fi” lounge and easy listening that embraced postwar futurism, stereo spectacle, and exotic color. It blends plush orchestras, jazz harmonies, and Latin/"exotica" percussion with novel timbres such as vibraphone, celeste, theremin, ondes Martenot, and early electronic/echo effects. Arrangers focused on dazzling stereo staging, crisp percussion, and sparkling instrumental details meant to show off new home sound systems. Melodies are tuneful and sophisticated, harmonies are rich (9ths, 11ths, 13ths), and rhythms often draw from mambo, cha‑cha‑cha, and bossa‑tinged grooves. The mood ranges from dreamy and romantic to playful and futuristic—an aural image of the “Jet Age,” tiki bars, and optimistic science fiction.
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