Khakurinokhabl. Zachir: Circassian Religious Chants

Circassian folk music (Adyghe/Kabardian) comes from the Northwest Caucasus and is tightly linked to communal dance, oral poetry, and the Adyghe Xabze code of conduct. It is characterized by driving dance rhythms in asymmetric meters (5/8, 7/8, 9/8), heterophonic textures, and antiphonal/song-leader practices at social dance gatherings (djegu). Core instruments include the pshine (Circassian button accordion), the pkhachich (wooden clappers), the shichepshin (a bowed spike fiddle), along with flutes and later, violin and clarinet. Vocal genres range from epic songs recounting the Nart sagas to wedding songs, laments of exile, and lyrical love songs. The style exists both in the historical homeland (Adygea, Kabardino-Balkaria, Karachay-Cherkessia) and across a large diaspora (notably in Turkey, Jordan, and Syria), where it has continued to evolve while retaining key rhythms, modes, and dance functions.