I muaß alle Tag mei Weanerlied hör'n

Schrammelmusik is an urban Viennese folk style that crystallized in the late nineteenth century around the famed Schrammel brothers, Johann and Josef. Typically performed as a quartet, the classic instrumentation combines two violins, a high, mellow G-clarinet (the so‑called "picksüßes Hölzl"), and a contraguitar (Schrammelgitarre) with extended bass strings; later variants often add zither or a small diatonic accordion (Schrammelharmonika). The repertoire merges local dance forms (Waltz, Ländler, Polka, marches) with lyrical "Wienerlied" song culture, while retaining a chamber-like elegance suited to salons and the gemütlich atmosphere of Viennese Heurigen taverns. Musically it balances sentimental melodies, expressive slides and portamenti, supple rubato, and lilting dance pulses, often shifting between major and minor for a bittersweet, nostalgic color. The result is music that can be intimate yet virtuosic—equally at home in popular taverns and bourgeois drawing rooms—and emblematic of fin‑de‑siècle Vienna.