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By Fetty Wap
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By Fetty Wap
FMF IV: The Hidden Chapter
October 16, 2019
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Genres
The Wave
The Wave is a loosely defined cluster of American post-hardcore/emo bands that surged in the early 2010s as emo-pop’s mainstream moment faded. The name was a tongue‑in‑cheek scene tag that stuck in press coverage, but it points to a real overlap in sound, ethos, and touring networks. Musically, The Wave fuses the urgency of 1990s post‑hardcore and screamo with confessional, literate lyric writing associated with emo. Expect shouted or half‑sung/half‑spoken vocals, dynamic quiet‑loud builds, intricate but driving drums, and guitar textures that shift between glassy clean arpeggios and overdriven, emotive climaxes. The songs often emphasize catharsis, narrative detail, and community-minded DIY presentation.
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Trap Queen
“Trap queen” is a micro-genre/playlist tag that sits inside mainstream trap and pop-trap, centered on glossy, hook-forward trap production paired with lyrics that celebrate a charismatic, street-smart, loyal female partner (the “trap queen”) and the lifestyle around hustle, fashion, nightlife, and couple loyalty. Musically it tends to use modern trap drum programming (808 sub-bass, fast hi-hats, snare/clap on the backbeat), melodic minor-key synths or plucked leads, and a strong emphasis on catchy toplines that can cross over to pop radio. In practice, “trap queen” is more of a cultural/memeable descriptor that grew from a defining hit and then expanded into a recognizable sound/lyrical framing within 2010s trap-pop.
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Viral Trap
Viral trap is a social‑media‑driven offshoot of trap that optimizes hooks, structure, and sound design for short‑form video virality. Producers foreground catchy one‑line choruses, hard 808s, and loopable motifs that can be clipped into 10–30 second moments. The style leans on familiar trap drum programming (stuttering hi‑hats, booming 808/kick layers), minimal synth or bell lines, and highly memetic lyrics that lend themselves to dances, edits, and challenges. Releases often arrive with alternate mixes (sped‑up, slowed) because these versions travel faster on platforms like TikTok and YouTube Shorts.
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Melodding was created as a tribute to
Every Noise at Once
, which inspired us to help curious minds keep digging into music's ever-evolving genres.