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By Los Fabulosos Cadillacs
Albums
By Los Fabulosos Cadillacs
El león
June 18, 1992
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Latin Alternative
Latin alternative is an umbrella term for genre-bending music made by Latin American and US Latino artists that sits outside mainstream Latin pop. It blends alternative and indie rock attitudes with Latin rhythmic vocabularies (cumbia, salsa, ska, reggae), hip hop, and electronic production. The style privileges experimentation, hybridity, and scene-driven authenticity rather than commercial formulas. Lyrics are often in Spanish (sometimes bilingual or Spanglish), and themes range from the personal and poetic to social and political commentary. The movement coalesced in the mid-to-late 1990s around U.S. media and festivals (e.g., LAMC), helping connect diverse scenes from Mexico, Argentina, Chile, Colombia, Puerto Rico, and beyond.
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Third Wave Ska
Third wave ska is the late-1980s to 1990s revival and reinvention of Jamaican ska, energized by punk rock and American alternative culture. It keeps the signature off‑beat “skank” guitar and punchy horn lines, but often accelerates tempos and borrows punk’s drive, sing‑along choruses, and DIY ethos. While rooted in Jamaican ska, rocksteady, and reggae, third wave ska also filters those traditions through 2 Tone’s multicultural stance and brisk rhythmic feel. The result ranges from bright, danceable pop-ska to aggressive ska‑punk and skacore, with bands frequently switching between up-tempo punk sections and laid-back reggae breaks within a single song.
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Ska
Ska is a Jamaican popular music style characterized by a brisk 4/4 groove, off‑beat guitar or piano upstrokes (the “skank”), walking bass lines, and punchy horn riffs. Emerging in late‑1950s Kingston dancehalls, ska fused local mento and calypso with American rhythm & blues and jazz, creating a lively sound that celebrated independence‑era optimism and street culture. Across time, ska evolved through distinct waves: the original Jamaican ska of the early 1960s, the racially integrated and politically aware 2 Tone movement in late‑1970s Britain, and the third‑wave explosion in the 1990s that blended ska with punk energy around the world.
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