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By Arjune Popo
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By Arjune Popo
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Indo-Caribbean Music
Indo-Caribbean music is the umbrella of musical traditions created by descendants of South Asian indentured laborers who settled in the Caribbean after 1838. It blends North Indian devotional and folk practices with local Afro‑Caribbean and creole popular styles. Core practices include Hindu bhajan and kirtan singing, wedding and lifecycle songs (such as sohar and matkor), tassa drumming used in festivals like Hosay, and salon-style seated music that later fed into modern popular forms. Over the 20th century these roots fused with calypso, soca, and reggae to produce distinct hybrids—most famously chutney and chutney‑soca—performed in English/creole alongside Bhojpuri/Hindi/Urdu. The tradition is most prominent in Trinidad and Tobago, Guyana, Suriname, Jamaica, and Martinique, and today thrives in diaspora hubs (New York/Queens, Toronto, London, and the Netherlands) where Indo‑Caribbean communities continue to record, innovate, and celebrate these styles.
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