Classics, Vol. 1: Let Them Say & Edide

Jùjú is a Yoruba-rooted popular music from southwestern Nigeria that blends indigenous percussion and call-and-response vocals with guitar-driven dance grooves. It is characterized by interlocking electric and steel guitars, talking drums (dundun family), shekere shakers, and long, flowing performances built on cyclical vamps. Often performed at weddings, ceremonies, and social gatherings, jùjú features praise-singing (oríkì), proverbial lyrics, and a warm, uplifting atmosphere that invites communal dancing.

Griot (also called jeli/jali) is the hereditary West African tradition of poet-singers, historians, and musicians whose craft combines storytelling, praise-singing, genealogy, diplomacy, and music. It is centered in the Mande world of today’s Mali, Senegal, Gambia, and Guinea, and is best known for virtuosic performances on the kora (21‑string harp-lute), balafon (xylophone), and ngoni (lute), alongside powerful, ornamented vocals. Griot music is structured around cyclical ostinatos with improvisatory flourishes, call-and-response, and text that preserves communal memory—epics, lineages, and moral instruction—delivered in languages such as Mandinka and Bambara. While deeply traditional, the griot aesthetic has adapted to modern stages and studios, influencing global “world music,” West African pop, and blues-derived styles.