Chants d'extase en Irak / Songs of Ecstasy in Irak: Al-manqaba al-Nabawiyya al-sharîfa

Iraqi Maqam is a highly structured yet semi‑improvised urban art music of Iraq within the wider Arabic maqam tradition. Centered on a virtuosic lead singer (qāriʾ) and a Baghdadi chamber ensemble (Al Chalghi al‑Baghdadi), it sets classical Arabic or Iraqi dialect poetry to modal melodies. Performances are organized as suites (fasl) named for the opening maqam—often Bayāt, Ḥijāz, Rāst, Nawā, or Ḥusaynī. Within each fasl, the singer unfolds a prescribed sequence of sections, modulating among related modes, balancing free‑rhythmic passages with metrically precise songs. The ensemble typically includes santūr (hammered dulcimer), joza/jawza (spike fiddle), goblet drum (darbuka), cello, and at times ʿūd and naqqārāt. Its aesthetic blends ornate melodic lines, microtonal intonation, and complex rhythmic cycles into an intensely expressive, text‑driven performance practice.