Askil

Senegalese traditional music encompasses the ceremonial, communal, and courtly musical practices of Senegal’s many peoples (Wolof, Serer, Pulaar/Fula, Jola/Diola, Mandinka, and others). It is anchored by griot (gewel) lineages who preserve history and praise-singing, and by powerful drum ensembles centered on sabar and tama (talking drum), as well as string traditions like the xalam (khalam/ngoni), kora, and riti. Performed at life-cycle rituals, wrestling events (laamb), community festivals, and religious gatherings, the music is intensely rhythmic and participatory, featuring polyrhythms, call-and-response vocals, praise poetry (tassu), and dance-led forms such as ndawrabine and farwu. Melodically it favors modal and pentatonic frameworks, with expressive ornamentation informed by local languages and Islamic recitation aesthetics.