Arquivos do Fado. As Sessões HMV de 1928-29 (Vol. 4)

Fado antigo is the early, pre-commercial form of Portuguese fado that crystallized in Lisbon (especially Alfama and Mouraria) and, to a lesser extent, Coimbra, during the 19th and early 20th centuries. It is characterized by raw, declamatory singing that foregrounds saudade—an emotion of longing and bittersweet memory—supported by a small acoustic ensemble centered on the guitarra portuguesa (Portuguese 12‑string guitar) and the viola (classical guitar), often with a bass (viola baixo). Repertoire revolves around fixed melodic models (fado menor, fado maior, fado corrido, fado Mouraria, etc.) over archetypal harmonic cycles, flexible rubato phrasing, and intimate call‑and‑response between voice and guitar. Compared with modern, post‑war fado, fado antigo retains a more folkloric, tavern‑born directness: lyrics in quatrains, topical storytelling, and neighborhood identities, performed in casas de fado and informal gatherings before the genre’s later professionalization and internationalization.