逆転裁判 蘇る逆転 オリジナル・サウンドトラック

“Sound team” refers to the in‑house composer/arranger collectives embedded within Japanese video‑game companies (e.g., Taito’s ZUNTATA, Sega Sound Team, Konami Kukeiha Club) that wrote, implemented, and often later performed their games’ music. Operating initially under strict sound‑chip limitations (FM/PSG/PCM) in arcades and early consoles, these teams forged a high‑energy, melody‑forward style that blended synth‑pop, jazz‑fusion, rock, funk, and Euro‑disco. Signature features include punchy FM brass, tight bass ostinatos, virtuosic lead lines, and short, loopable forms with strong leitmotifs for stages, characters, and events. Beyond writing in‑game BGM and jingles, many teams arranged their cues for live band albums and concerts, helping canonize game music as a standalone listening culture and influencing later chiptune, doujin circles, and retro‑electronic scenes.