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EMI Music Australia
Australia
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Alternative Rock
Alternative rock is a broad umbrella for guitar-based rock that emerged from the independent and college-radio scenes as a counterpoint to mainstream, commercial rock. It blends the energy and ethos of punk with the textural and songwriting experiments of post-punk, new wave, jangle pop, and noise rock, often foregrounding introspective or socially aware lyrics. Across its many strains—from the melodic minimalism of college rock to the loud-quiet-loud dynamics of grunge and the artful experimentation of Radiohead-era modernism—alternative rock prioritizes authenticity, sonic individuality, and a do-it-yourself approach. Its sound ranges from chiming, chorus-laden clean guitars to abrasive distortion and feedback, supported by straightforward rock rhythms or off-kilter grooves, and production that can be either raw and live-sounding or polished yet unconventional.
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Blues
Blues is an African American musical tradition defined by expressive "blue notes," call-and-response phrasing, and a characteristic use of dominant-seventh harmony in cyclical song forms (most famously the 12‑bar blues). It is as much a feeling as a form, conveying sorrow, resilience, humor, and hard-won joy. Musically, blues commonly employs the I–IV–V progression, swung or shuffled rhythms, and the AAB lyric stanza. Melodies lean on the minor/major third ambiguity and the flattened fifth and seventh degrees. Core instruments include voice, guitar (acoustic or electric), harmonica, piano, bass, and drums, with slide guitar, bends, and vocal melismas as signature techniques. Over time the blues has diversified into regional and stylistic currents—Delta and Piedmont country blues, urban Chicago and Texas blues, West Coast jump and boogie-woogie—while profoundly shaping jazz, rhythm & blues, rock and roll, soul, funk, and much of modern popular music.
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Electro House
Electro house is a high-energy branch of house music characterized by distorted, buzzing bass leads, crisp four‑on‑the‑floor drums, and dramatic, festival-ready drops. It typically runs around 125–130 BPM, favoring aggressive, sawtooth-based synth timbres, heavy sidechain compression, and big, riff-like hooks over lush chord progressions. Production emphasizes powerful low-end, gritty midrange textures, noise sweeps and risers, and tightly structured builds and breakdowns that set up explosive drops. While rooted in house and electro traditions, its sound design borrows from techno’s intensity and big beat’s punch, resulting in a bold, modern, and club-focused aesthetic.
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Hip Hop
Hip hop is a cultural and musical movement that emerged from Black, Latino, and Caribbean communities, centering around rapping (MCing), DJing/turntablism, sampling-based production, and rhythmic speech over beats. It prioritizes groove, wordplay, and storytelling, often reflecting the social realities of urban life. Musically, hip hop is built on drum-centric rhythms (from breakbeats to 808 patterns), looped samples, and bass-forward mixes. Lyrically, it ranges from party anthems and braggadocio to political commentary and intricate poetic forms, with flow, cadence, and rhyme density as core expressive tools. Beyond music, hip hop encompasses a broader culture, historically intertwined with graffiti, b-boying/b-girling (breakdance), fashion, and street entrepreneurship, making it both an art form and a global social language.
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Pop Rock
Pop rock blends the hook-focused immediacy of pop with the instrumentation and drive of rock. It prioritizes catchy melodies, concise song structures, and polished production while retaining guitars, bass, and drums as core elements. Typical pop rock tracks use verse–pre-chorus–chorus forms, strong vocal harmonies, and memorable riffs. The sound ranges from jangly and bright to mildly overdriven and arena-ready, aiming for radio-friendly appeal without abandoning rock’s rhythmic punch.
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Progressive House
Progressive house is a melodic, long-form strain of house music known for gradual builds, evolving textures, and a strong sense of tension and release. It favors hypnotic grooves, lush pads, and emotive chord progressions over abrupt drops. Typically sitting around 122–128 BPM in 4/4 time, tracks unfold over six to nine minutes, introducing small changes every few bars to keep momentum. The sound balances club-focused punch with cinematic atmosphere, making it equally at home in late-night dancefloors and long-form DJ sets.
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Rock
Rock is a broad family of popular music centered on amplified instruments, a strong backbeat, and song forms that foreground riffs, choruses, and anthemic hooks. Emerging from mid‑20th‑century American styles like rhythm & blues, country, and gospel-inflected rock and roll, rock quickly expanded in scope—absorbing folk, blues, and psychedelic ideas—while shaping global youth culture. Core sonic markers include electric guitar (often overdriven), electric bass, drum kit emphasizing beats 2 and 4, and emotive lead vocals. Rock songs commonly use verse–chorus structures, blues-derived harmony, and memorable melodic motifs, ranging from intimate ballads to high‑energy, stadium‑sized performances.
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Albums
Seven Days and One Week
B.B.E.
Bavarian Fruit Bread
Hope Sandoval & the Warm Inventions
The Most of Glen Campbell
Glen Campbell
Musicor Hits 1965-71
George Jones
One Hit Wonders: The Eighties
Various Artists
Father of Mine
Everclear
Act of Free Choice
David Bridie
Ransom Note and Beyond (The Best of Dear Enemy)
Dear Enemy
Another Aussie Sing Song
Slim Dusty
Here’s to the Miracles
Vince Jones
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Artists
Blur
Guru
Billie Holiday
Nat King Cole
Dean Martin
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The Kinks
Black Rebel Motorcycle Club
Talking Heads
The Smashing Pumpkins
Radiohead
Glen Campbell
Gorillaz
George Jones
Röyksopp
Soul II Soul
Suzi Quatro
Delerium
Roxette
Luke Slater
The Chemical Brothers
Ferry Corsten
Lily Allen
Spiller
Little River Band
The Church
The Wiggles
Ike & Tina Turner
The Go-Betweens
Fun Lovin' Criminals
Everclear
Hope Sandoval & The Warm Inventions
Dr. Hook
Carter The Unstoppable Sex Machine
The Saints
Manfred Mann
Shampoo
Australian Crawl
The Living End
Hoodoo Gurus
Various Artists
Junior Boys
Slim Dusty
You Am I
Mississippi
Diesel
Kasey Chambers
David Bridie
Vandalism
Par-T-One
Dear Enemy
Vince Jones
The 12th Man
The Seekers
Judith Durham
Russell Hitchcock
Mandawuy Yunupingu
Salmonella Dub
Directions in Groove
Chris Franklin
Anne Kirkpatrick
Les Paul & Mary Ford
Gina Jeffreys
Paul McDermott
Alex Lloyd
Professor Ratbaggy
John Reed Club
Uncle Bill
Shin Ki Row
Def FX
End of Fashion
Bob Evans
Faker
Danielle Spencer
The Persian Rugs
Rodney Rude
The Bushwackers
Stardust Five
The Sleepy Jackson
Jackson Jackson
Lino
White Town
The Turtles
The Cat Empire
Paul Kelly
INXS
Hot Chocolate
Angus & Julia Stone
Gene Pitney
Hercules & Love Affair
Blue
Neil Finn
BBE
John Williamson
Geri Halliwell
John Farnham
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Melodding was created as a tribute to
Every Noise at Once
, which inspired us to help curious minds keep digging into music's ever-evolving genres.