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Ansonia Records
United States
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Plena
Plena is an Afro–Puerto Rican music and dance genre that arose in working-class neighborhoods—most famously in Ponce and later Santurce—during the early 20th century. Often called the “periodical sung” (periódico cantado), plena songs chronicle everyday life, news, humor, and social commentary through concise verses and refrains. The core sound centers on panderos de plena (a family of frame drums in three sizes), the güiro scraper, handclaps, and call‑and‑response vocals. Rhythms are typically in 2/4 or 4/4 with syncopations related to Afro-Caribbean cells such as the habanera. While harmony is generally simple (I–IV–V with occasional modal color), plena’s power lies in its infectious groove, topical lyrics, and communal participation—qualities that later ensembles expanded with bass, brass (notably trombones), and dance-band arrangements.
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Artists
Various Artists
Mexican Institute of Sound
Meridian Brothers
Sonora Matancera, La
Mateo, Joseíto
Celina y Reutilio
Cortijo
Saquito, Ñico
Rodríguez, Arsenio y su Conjunto
Morales, Noro
Rivera, Mon
Cuarteto Mayari
Frankie Figueroa
Kako
Orquesta Panamericana
Ramito
Díaz, Servando, Trío
Guaracheros de Oriente, Los
Trío Matamoros
Tin Tan
Felipe y Davilita
Cuarteto Marcano
Vendrell, Emili
Concepción, César
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