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Sweden
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Classical
Classical music is the notated art-music tradition of Europe and its global descendants, characterized by durable forms, carefully codified harmony and counterpoint, and a literate score-based practice. The term “classical” can refer broadly to the entire Western art-music lineage from the Medieval era to today, not just the Classical period (c. 1750s–1820s). It privileges long-form structures (such as symphonies, sonatas, concertos, masses, and operas), functional or modal harmony, thematic development, and timbral nuance across ensembles ranging from solo instruments to full orchestras and choirs. Across centuries, the style evolved from chant and modal polyphony to tonal harmony, and later to post-tonal idioms, while maintaining a shared emphasis on written notation, performance practice, and craft.
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Crossover Jazz
Crossover jazz is a pop-leaning branch of jazz designed to reach listeners beyond the traditional jazz audience. It blends melodic hooks, radio-friendly song structures, and polished production with jazz harmony and concise improvisation. Typical timbres include lead saxophone or clean electric guitar supported by Fender Rhodes or other electric pianos, warm synthesizers, and a tight rhythm section rooted in funk, R&B, and soft rock. Compared with jazz fusion it is more melody-first and chart-oriented, and compared with later smooth jazz it often carries a more assertive groove and clearer ties to mainstream jazz phrasing. String sections, background vocals, and meticulous studio sheen are common, emphasizing accessibility while still showcasing tasteful solos and sophisticated chord colors.
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Instrumental
Instrumental is music created and performed without sung lyrics, placing the expressive weight on melody, rhythm, harmony, and timbre produced by instruments. As an umbrella practice it appears in many cultures, but its modern identity cohered in Baroque-era Europe when purely instrumental forms such as the sonata, concerto, and dance suites began to flourish. Since then, instrumental thinking—developing motives, structuring form without text, and showcasing timbral contrast—has informed everything from orchestral music and solo piano repertoire to post-rock, film scores, and beat-driven electronic styles. Instrumental works can be intimate (solo or chamber) or expansive (full orchestra), narrative (programmatic) or abstract (absolute music). The absence of lyrics invites listeners to project imagery and emotion, making the style a natural fit for cinema, games, and contemplative listening.
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Jazz
Jazz is an improvisation-centered music tradition that emerged from African American communities in the early 20th century. It blends blues feeling, ragtime syncopation, European harmonic practice, and brass band instrumentation into a flexible, conversational art. Defining features include swing rhythm (a triplet-based pulse), call-and-response phrasing, blue notes, and extended harmonies built on 7ths, 9ths, 11ths, and 13ths. Jazz is as much a way of making music—spontaneous interaction, variation, and personal sound—as it is a set of forms and tunes. Across its history, jazz has continually hybridized, from New Orleans ensembles and big-band swing to bebop, cool and hard bop, modal and free jazz, fusion, and contemporary cross-genre experiments. Its influence permeates global popular and art music.
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Albums
Träumerei
Trio X of Sweden
Meetings In India
Mynta
Johannesson & Schultz
Johannesson & Schultz
Skylla Sig Själv / Tranås
Citrus
O.D. Sons of Orpheus - Eric Ericson
Orphei Drängar
Ten
Anna Lundqvist Quintet
Jazz at the Pawnshop
Arne Domnérus
Änglanatt
Pro Musica
Smile
Lina Nyberg
Chamber Choir From Cuba
Exaudi Choir of Cuba
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Artists
Olivier Ker Ourio
Esbjörn Svensson Trio
Jacob Karlzon
Alice Babs
Nils Landgren
Lars Jansson
Arne Domnérus
Joel Lyssarides
Rigmor Gustafsson
Peter Asplund
Hugo Alfvén
Trio X of Sweden
Orphei Drängar
Ale Möller
Jeanette Lindström
Olle Adolphson
Danilo Perez
Outi Tarkiainen
Dayna Stephens
Niklas Fernqvist
Norrbotten Big Band
Various Artists
Jukka Eskola
Max Schultz
Steve Dobrogosz
Berglund
Mikko Innanen
Esbjörn Svensson
Kruse
Jukka Tolonen
Bertil "Jonas" Jonasson
Pierre Swärd
Rita Marcotulli
Exaudi Choir of Cuba
Johannes Lundberg
Mynta
Johannesson
Citrus
Anna Lundqvist Quintet
Pro Musica
Lina Nyberg
Johanna Grüssner
Luciano Mosetti
Anders Färdal
André Sumelius
Kontrafouris, Giorgos
Teemu Viinikainen
Jussi Lehtonen Quartet
Corpo
Lars Erstrand
The Antti Sarpila Quintet
Lina Nyberg Quintet
SE-Quartet
Sabbath Hela Veckan
TH Trio
Tonight At Noon
Erik Söderlind
Teemu Viinikainen Trio
Peter Asplund Quartet
Britta Lindell
Christina Gustafsson
Ellen Andersson Quartet
Rasmus Svensson Blixt
Nils Lindberg
Margareta Bengtson
Meta Roos
Maratone Quintet
Anders Hagberg
Carin Lundin
Helle Brunvoll
Mikko Helevä
Jan Levander Oktett
Pia Olby
Emil Ingmar
Tomas Ernvik
Gert Gustafsson
Ira Kaspi
Susana Rinaldi
Rigmor Gustafsson Quintet
Joonatan Rautio Trio
Rebecka Larsdotter
Johan Joachim Agrell
Eva Nordenfelt
How Many Sisters
Petter Bergander Trio
Göteborgs kammarkör
Aapo Heinonen Quintet
Calle Rasmusson
Sofia Pettersson
Karin Hammar
Pierre Swärd Hammond Jazz'n Soul Group
Jean-Simon Maurin trio & Elin Wrede
Bohuslän Big Band
Raun
Maggi Olin
Tuomo J. Autio
Bob Hansson
Backlura
Karin Hammar Fab 4
Emmalisa Hallander
Örjan Hultén
Hans Andersson
Johan Löfcrantz Ramsay
Aspiration
Stina Hellberg Agback
Daniel Karlsson
Adam Forkelid
Sara Aldén
August Björn
Daniel Andersson
Göteborg Jazz Orchestra
Vidya
Henning Ullén
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Melodding was created as a tribute to
Every Noise at Once
, which inspired us to help curious minds keep digging into music's ever-evolving genres.