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Japan
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City Pop
City pop is a sleek, cosmopolitan strain of Japanese popular music that emerged in the late 1970s and flourished throughout the 1980s. It fuses the polish of Western AOR and soft rock with funk, disco, jazz fusion, and boogie grooves, wrapping them in sophisticated harmonies and studio gloss. Built for car stereos, FM radio, and neon-lit nightlife, the style favors tight rhythm sections, lush keyboards (Rhodes, FM synths), clean chorus-laden guitars, and sax or synth leads. Lyrics often paint aspirational urban scenes—coastal highways, midnight drives, summer romance—balancing breezy optimism with a bittersweet, nostalgic hue. After a period of relative dormancy in the 1990s, city pop enjoyed a global revival in the 2010s via YouTube algorithms, online crate-digging, and sample-based microgenres, turning once-domestic hits into worldwide cult classics.
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Instrumental
Instrumental is music created and performed without sung lyrics, placing the expressive weight on melody, rhythm, harmony, and timbre produced by instruments. As an umbrella practice it appears in many cultures, but its modern identity cohered in Baroque-era Europe when purely instrumental forms such as the sonata, concerto, and dance suites began to flourish. Since then, instrumental thinking—developing motives, structuring form without text, and showcasing timbral contrast—has informed everything from orchestral music and solo piano repertoire to post-rock, film scores, and beat-driven electronic styles. Instrumental works can be intimate (solo or chamber) or expansive (full orchestra), narrative (programmatic) or abstract (absolute music). The absence of lyrics invites listeners to project imagery and emotion, making the style a natural fit for cinema, games, and contemplative listening.
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J-Pop
J-pop (Japanese pop) is a broad umbrella for mainstream Japanese popular music that blends Western pop/rock, dance, and R&B with distinctly Japanese songwriting, vocal delivery, and industry practices. It is characterized by strong hooks, polished production, bright synths and guitars, frequent key changes and modulatory bridges, and chorus-first or chorus-centric structures. J-pop spans idol groups, singer-songwriters, band-oriented pop-rock, electronic dance-pop, and R&B ballads, while remaining closely tied to television, advertising, video games, and anime tie-ins (anisong).
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Albums
Sonnet
Tee & Company
俺たちの青春
太田邦夫クインテット
Best of Best
THE SQUARE / T‐SQUARE
Twilight Made...
西城秀樹
スーパー・ヒットコレクション Vol.1
松田聖子
コスモス
大野雄二
Go On'
The George Otsuka 5
Air
Air
MemorieS〜The Last Leaf〜
Various Artists
SAILING BLASTER
佐藤博
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Artists
Yuji Ohno
T-SQUARE
Hiroshi Sato
笠井 紀美子
Tsuyoshi Yamamoto Trio
Shiritsu Ebisu Chugaku
Kazumi Watanabe
Masaru Imada
Kozo Murashita
Seiko Matsuda
TAKAO UEMATSU
Masahiko Sato
Marcella Bella
Hideki Saijo
Akiko Kosaka
REBECCA
Various Artists
Yamaguchi, Momoe
IPPU-DO
Jounouchi, Sanae
Haishima, Kuniaki
Masaru Imada Trio
Matsumoto, Hidehiko
Kimura, Yoshio
Miyama, Toshiyuki & New Herd, The
Suzuki, Isao
Okamura, Takako
RAJIE
Watanabe, Minayo
Amachi, Mari
Takada, Midori
Yano, Yumi
Ohno, Masae
Ichihara, Kosuke
Tsutsui, Yasutaka
Takayanagi, Masayuki
New Direction Unit
George Otsuka Quintet
Nakamoto, Mari
Nakamura, Teruo
Tee & Company
Ohta, Kunio
Air
Shinseiki Ongaku Kenkyujo
Imamura, Yuji
AIR
Suzuki, Isao, Quartet
Kosuke Mine Quintet
New Direction for the Arts
Kosuke Mine Quartet
Tachibana, Izumi
Masaru Imada Quartet
The Hiroshi Fukumura Quintet
UGUISS
Suzuki, Isao, Trio
Kawai, Sonoko
Kokushou, Sayuri
Oma Sound
Kanai, Hideto
King's Roar Orchestra
Miki, Bingo
Inner Galaxy Orchestra
Four Leaves
FENCE OF DEFENSE
Goto, Yoshiko
Takashi Mizuhashi Quartet
Tokyo Panorama Lounge
Wada, Sunao
Moriyama, Koji
Marina Watanabe
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Melodding was created as a tribute to
Every Noise at Once
, which inspired us to help curious minds keep digging into music's ever-evolving genres.