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Christmas Music
Christmas music is a body of sacred and secular repertoire associated with the celebration of Christmas and the winter season. It spans medieval carols, liturgical hymns, and oratorios through to 20th‑century Tin Pan Alley standards, crooner ballads, jazz‑swing arrangements, pop hits, gospel renditions, and contemporary acoustic or R&B interpretations. Stylistically it is diverse but often shares warm, nostalgic melodies, memorable choruses, and lyrics that reference the Nativity story, peace and goodwill, family gatherings, winter imagery, and figures like Santa Claus. Sleigh bells, choirs, strings, brass, and glockenspiel/celesta are common coloristic touches, while harmony ranges from simple I–IV–V progressions to richer jazz voicings. Its seasonal recurrence has made it a cultural tradition that reappears annually across radio, streaming, film, advertising, and public spaces.
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Classical
Classical music is the notated art-music tradition of Europe and its global descendants, characterized by durable forms, carefully codified harmony and counterpoint, and a literate score-based practice. The term “classical” can refer broadly to the entire Western art-music lineage from the Medieval era to today, not just the Classical period (c. 1750s–1820s). It privileges long-form structures (such as symphonies, sonatas, concertos, masses, and operas), functional or modal harmony, thematic development, and timbral nuance across ensembles ranging from solo instruments to full orchestras and choirs. Across centuries, the style evolved from chant and modal polyphony to tonal harmony, and later to post-tonal idioms, while maintaining a shared emphasis on written notation, performance practice, and craft.
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Country
Country is a roots-based popular music from the rural American South that blends Anglo-Celtic ballad traditions with African American blues, gospel, and string-band dance music. It is characterized by narrative songwriting, plainspoken vocals with regional twang, and a palette of acoustic and electric instruments such as acoustic guitar, fiddle, banjo, pedal steel, and telecaster guitar. Rhythmically it favors two-step feels, train beats, shuffles, and waltzes, while harmony is largely diatonic (I–IV–V) with occasional country chromaticism and secondary dominants. Across a century, country has evolved through substyles like honky-tonk, the Nashville and Bakersfield sounds, outlaw country, neotraditionalist revivals, pop-country, and country-rap hybrids, but it consistently prioritizes storytelling about everyday life, love, work, faith, place, and identity.
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Easy Listening
Easy listening is a lush, melodic, and unobtrusive style of popular orchestral music designed to be pleasant in the foreground and effortless in the background. It favors smooth textures, lyrical melodies, and gentle rhythms over virtuosic display or dense complexity. Typical arrangements feature string sections, woodwinds, soft brass, vibraphone, harp, piano, subtle Latin or light swing percussion, and sometimes wordless choirs. Repertoire often consists of standards, film and television themes, and instrumental covers of contemporary hits, presented with polished studio production and wide stereo imaging. The mood ranges from romantic and sentimental to breezy and exotic, prioritizing warmth, clarity, and relaxed pacing. Improvisation, if present, is restrained, with harmony that leans on jazzy extensions while staying consonant and approachable.
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Folk
Folk is a song-centered acoustic tradition rooted in community storytelling, everyday life, and social history. It emphasizes clear melodies, simple harmonies, and lyrics that foreground narrative, protest, and personal testimony. As a modern recorded genre, folk coalesced in the early-to-mid 20th century in the United States out of older ballad, work song, and rural dance traditions. It typically features acoustic instruments (guitar, banjo, fiddle, mandolin, harmonica), strophic song forms, and participatory singing (choruses, call-and-response).
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Jazz
Jazz is an improvisation-centered music tradition that emerged from African American communities in the early 20th century. It blends blues feeling, ragtime syncopation, European harmonic practice, and brass band instrumentation into a flexible, conversational art. Defining features include swing rhythm (a triplet-based pulse), call-and-response phrasing, blue notes, and extended harmonies built on 7ths, 9ths, 11ths, and 13ths. Jazz is as much a way of making music—spontaneous interaction, variation, and personal sound—as it is a set of forms and tunes. Across its history, jazz has continually hybridized, from New Orleans ensembles and big-band swing to bebop, cool and hard bop, modal and free jazz, fusion, and contemporary cross-genre experiments. Its influence permeates global popular and art music.
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Pop
Pop is a broad, hook-driven style of popular music designed for wide appeal. It emphasizes memorable melodies, concise song structures, polished vocals, and production intended for radio, charts, and mass media. While pop continually absorbs elements from other styles, its core remains singable choruses, accessible harmonies, and rhythmic clarity. Typical forms include verse–pre-chorus–chorus, frequent use of bridges and middle-eights, and ear-catching intros and outros. Pop is not defined by a single instrumentation. It flexibly incorporates acoustic and electric instruments, drum machines, synthesizers, and increasingly digital production techniques, always in service of the song and the hook.
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Rock
Rock is a broad family of popular music centered on amplified instruments, a strong backbeat, and song forms that foreground riffs, choruses, and anthemic hooks. Emerging from mid‑20th‑century American styles like rhythm & blues, country, and gospel-inflected rock and roll, rock quickly expanded in scope—absorbing folk, blues, and psychedelic ideas—while shaping global youth culture. Core sonic markers include electric guitar (often overdriven), electric bass, drum kit emphasizing beats 2 and 4, and emotive lead vocals. Rock songs commonly use verse–chorus structures, blues-derived harmony, and memorable melodic motifs, ranging from intimate ballads to high‑energy, stadium‑sized performances.
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Rockabilly
Rockabilly is one of the earliest styles of rock and roll, fusing the twang and storytelling of Southern country ("hillbilly") with the driving backbeat and boogie of rhythm & blues and jump blues. It is marked by slap‑back echo on vocals and guitar, slapping upright bass, twangy hollow‑body electrics, and energetic, danceable grooves. The classic rockabilly sound emerged from mid‑1950s Memphis studios such as Sun Records, where minimal drum kits (or none at all) mixed with percussive bass and bright, overdriven guitars. Songs are typically short, hooky, and built on 12‑bar blues or simple I–IV–V progressions, with lyrics about love, cars, dancing, and youthful rebellion.
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Albums
Hits of the 60’s
Various Artists
Austereo Sales Christmas 1993 Sampler
Various Artists
Remembering the Fifties
Various Artists
Changin’ Times
Various Artists
Heroes
Johnny Cash & Waylon Jennings
The Survivors
Johnny Cash, Jerry Lee Lewis & Carl Perkins
C'est C Bon
Carlene Carter
Honky Tonk Amnesia: The Hard Country Sound of Moe Bandy
Moe Bandy
Barry Goudreau
Barry Goudreau
Monster Ballads
Various Artists
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Artists
Wolfgang Amadeus Mozart
The Beatles
Marty Robbins
Mahalia Jackson
Louis Armstrong
Duke Ellington
Tony Bennett
Jerry Lee Lewis
Jimmy Page
Johnny Winter
Donovan
The Yardbirds
André Previn
Andy Williams
Ennio Morricone
Johnny Cash
Patsy Cline
Willie Nelson
Teddy Wilson
Doc Watson
The Statler Brothers
Marvin Gaye
The Whispers
Flamin' Groovies
London Symphony Orchestra
Europe
Johnny Mathis
Harry James
The Isley Brothers
Peggy Lee
The Manhattans
MFSB
Earth, Wind & Fire
The Tabernacle Choir at Temple Square
Johnny "Guitar" Watson
Herbie Hancock
Al Di Meola
Alvin & The Chipmunks
Camille Saint-Saëns
Duke Ellington Orchestra
Benny Goodman
Brenda Lee
Tanya Tucker
Kris Kristofferson
Carl Perkins
George Jones
Waylon Jennings
Charlie Rich
Mountain
Anita O'Day
Journey
Electric Light Orchestra
The Philadelphia Orchestra
Mott The Hoople
Ricky Skaggs
Ricky Van Shelton
Roy Orbison
The United States Of America
Richard Wright
The Byrds
Shakti
Gene Clark
Dolly Parton
Heatwave
Percy Faith
Johnny Paycheck
Ray Conniff
Steve Earle
James Horner
Richard Clayderman
Bruce Johnston
The Chambers Brothers
The Carter Family
Flatt & Scruggs
Dinah Shore
The Charlie Daniels Band
Judy Collins
The Oak Ridge Boys
Gene Autry
Eugene Ormandy
Small Faces
Cy Coleman
Teddy Pendergrass
Joe Walsh
Johnny Horton
Moe Bandy
Asleep At The Wheel
Billy Joe Shaver
Carlene Carter
Dave Mason
Paul Revere & The Raiders
Omar and The Howlers
Stonewall Jackson
Bobby Vinton
Accept
E. Power Biggs
The Millennium
Unknown
Henson Cargill
Anita Kerr
The New Christy Minstrels
Rosemary Clooney
Richard Rodney Bennett
Cole Porter
The Gosdin Brothers
Dan Hicks & His Hot Licks
Various Artists
Roy Hamilton
Adam Wade
Glenn Miller and His Orchestra
Hammerstein
Shel Silverstein
Kodō
Svend Asmussen
George Jones & Tammy Wynette
Barry Goudreau
Mickey Gilley
Flo & Eddie
Boots Randolph
André Kostelanetz
Larry Williams
The Norman Luboff Choir
Dominic Frontiere
P.P. Arnold
Larry Gatlin & the Gatlin Brothers Band
Sweethearts of the Rodeo
The Brothers Four
Dick Jurgens and His Orchestra
Dick Haymes
Patsy Montana
Alexander “Skip” Spence
Box of Frogs
Kerry Livgren
Rita Coolidge
The Nice
The Hi‐Lo’s
Chris Farlowe
Jim Nabors
The Fireside Singers
Waylon Jennings & Willie Nelson
Eddy Duchin
The Aranbee Pop Symphony Orchestra
Ken Griffin
Judy Holliday
Kay Kyser
The Peanut Butter Conspiracy
Gene de Paul
Scandal
Loverboy
Starcastle
Blood, Sweat & Tears
Chet Atkins
The Outfield
Jerry Murad’s Harmonicats
Kitty Kallen
Michelle
Dino Valenti
Sweet Thursday
John Handy Concert Ensemble
Shelly Manne & His Friends
Spiral Starecase
Alfred Newman
Patty Smyth
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Melodding was created as a tribute to
Every Noise at Once
, which inspired us to help curious minds keep digging into music's ever-evolving genres.