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Alive & Breathing Records
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Metal
Metal (often used to mean heavy metal in its broad, umbrella sense) is a loud, guitar-driven style of rock defined by high-gain distortion, emphatic and often martial rhythms, and a dense, powerful low end. It foregrounds riff-based songwriting, dramatic dynamics, virtuosic guitar solos, and commanding vocals that range from melodic wails to aggressive snarls and growls. Harmonically, metal favors minor modes, modal color (Aeolian, Phrygian), chromaticism, and tritone-inflected tension, while thematically it explores power, mythology, the occult, social critique, fantasy, and existential subjects. While adjacent to hard rock, metal typically pushes amplification, distortion, precision, and thematic intensity further, forming a foundation for many specialized subgenres.
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Stoner Metal
Stoner metal is a heavy, riff-centered offshoot of doom metal that fuses the low-and-slow weight of early Sabbath with the hazy psychedelia and fuzz-drenched tones of 1970s hard rock. It emphasizes down-tuned guitars, thick midrange, and hypnotic, groove-forward drumming, often evoking a desert-heat mirage of sustained riffs and feedback. Compared to stoner rock, stoner metal leans darker and heavier, with a doomier pulse, longer song structures, and an almost trance-like fixation on repetition. Lyrics frequently explore cosmic wanderlust, occult imagery, apocalyptic visions, and cannabis counterculture, while production tends to favor warm, analog saturation and room-heavy drum sounds.
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Sludgecore
Sludgecore is a hybrid of sludge metal’s tar-thick, downtuned weight and hardcore punk’s concussive urgency. It keeps the swampy, distorted guitars and grimy textures of sludge while injecting the punch, rhythmic insistence, and shouted vocal delivery associated with hardcore. The result is a style that lurches between crawling, suffocating riffs and sudden surges of d‑beat, blasts, or half‑time breakdowns. Tonalities are typically minor and dissonant, with frequent use of tritones, chromatic movement, and blues‑sourced riffs warped by heavy gain and low tunings (often drop C, B, or lower). Production aesthetics range from raw and abrasive to dense and crushing, but the common thread is physicality: music designed to feel like a body‑blow while channeling themes of social rot, addiction, anxiety, and urban decay.
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Melodding was created as a tribute to
Every Noise at Once
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