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Satanarsa Records
Russia
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Death Metal
Death metal is an extreme subgenre of heavy metal defined by heavily distorted, low‑tuned guitars, rapid and complex riffing, blast beat drumming, and harsh guttural vocals. Its harmonic language favors chromaticism, dissonance, and tremolo-picked lines that create an ominous, abrasive atmosphere. Lyrically, death metal often explores dark or transgressive themes—mortality, mythology, anti-religion, psychological horror, and the macabre—sometimes with philosophical or social commentary. Production ranges from raw and cavernous to hyper-precise and technical, reflecting the genre’s many regional scenes and substyles. From the mid‑1980s Florida scene (Tampa) and parallel developments in the US, UK, and Sweden, death metal evolved into numerous branches including brutal death metal, technical death metal, melodic death metal, and death‑doom, each emphasizing different aspects of speed, complexity, melody, or heaviness.
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Doom Metal
Doom metal is a heavy metal subgenre defined by slow to mid-tempo grooves, down-tuned, highly distorted guitars, and an atmosphere of dread, melancholy, and weight. It emphasizes ominous, minor-key riffs and sustained tones over speed or virtuosity, creating a crushing sense of space and inevitability. Vocals range from plaintive and theatrical (epic/traditional doom) to anguished wails or harsh growls (death-doom), and lyrics often explore themes of suffering, mortality, the occult, apocalyptic visions, and existential despair. Song structures are typically riff-centric and long-form, with repetition and gradual dynamic shifts producing a hypnotic, ritualistic feel.
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Gothic Metal
Gothic metal is a fusion of the heaviness and slow, atmospheric pull of doom metal with the dark romanticism and melodrama of gothic rock. It emphasizes minor-key harmony, thick guitar textures, and prominent keyboards or orchestral pads to create a brooding, cinematic mood. Vocals range from deep baritone croons and clean female sopranos to harsh growls—sometimes used together in the "beauty-and-the-beast" style. Lyrical themes often explore love and loss, mortality, melancholy, myth, and the supernatural, presented with a sense of theatricality. While centered in metal, the style borrows from dark wave’s somber synths and gothic rock’s atmosphere, leading to variations that lean toward doom, symphonic, or even alternative-leaning approaches.
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Albums
Niemota
Niemota
Persephone's Dream
Azathoth
...with Poisoned Thorns
Dying Rose
End of Humanity
Unholyath
Spirit of Faceless Time
I Chaos
To Never Return
A Young Man's Funeral
A Tribute to Autumn
Various Artists
The Absolute Laws of Darkness
Flegethon
There Is No Echo of Reality
Flegethon
Скорбь Зимних Лесов
Winter Grief
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Artists
Moloch
Various Artists
Creation VI
Lunar Portals of the Astral Mirror
Emptiness Soul
Desolation
Deviator
Vin de Mia Trix
Until My Funerals Began
Y'ha-nthlei
Night of Suicide
The Whorehouse Massacre
Burial Mist
Ethir Anduin
Absenth
Astarium
Inner Missing
Gust in Grief
Calth
Ankhagram
Tears of Mankind
Embrace of Silence
I Chaos
Aamunkajo
uRAn 0
Skjult
Shadows Ground
Dying Rose
Niemota
Azathoth
Unholyath
A Young Man's Funeral
Flegethon
Winter Grief
Longesttirr
Moonlight Sonata
Shine, My Boregarden
Locus Requiescat
November Dreams
Monumenta Sepulcrorum
Die Entweihung
Чорні Крила
Created by Ashes
Arachna Signorum
Diabolus Sanctus
Sorrow of Rain
Gravemoon
The Liquescent Horror
Unperishable Fall
MistGuide
Armed Death
Synalgia
Thriumvirath
Terra Teratos
Pogost
F.I.N.
Крылья
Funeral of the Sun
Chalice of Doom
Under
Anhedonia
Exanimus
Öröm
ForestGrave
Tender Pain
Emptiness
Edge of Lament
Klinika
The Rustling of Leaves
Lifesenseless
Vindbok
Black Bleeding
Dom
My Forgotten God
Innzmouth
Kairi
MDP
Forgotten Forests
Theogonia
Vae Solis
The Sad Sun
Nymphea Aurora
Uruk-Hai
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Melodding was created as a tribute to
Every Noise at Once
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