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93NewG Media
Ho Chi Minh
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Ballad
A ballad is a narrative song form that tells a story in simple, singable stanzas, traditionally using quatrains in ballad meter (alternating lines of iambic tetrameter and trimeter with an ABCB rhyme scheme). Ballads typically recount dramatic events—love, betrayal, tragedy, murder, the supernatural—or notable historical incidents. Early ballads were often sung unaccompanied or with minimal accompaniment, carried by memorable, modal melodies and refrains that aided oral transmission. Over time, the term also came to describe slow, sentimental popular songs in the 20th century, but the core of the genre remains the storytelling focus and strophic, easily learned structure. Ballads are central to the English- and Scots-language folk traditions, migrated to North America where they flourished in Appalachian singing, and continue to be performed, adapted, and reinterpreted in contemporary folk and roots scenes.
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V-Pop
V-pop (Vietnamese pop) is the mainstream popular music of Vietnam, blending Vietnamese melodic sensibilities with contemporary international pop production. It spans glossy dance-pop, emotive ballads, R&B-inflected vocals, hip hop crossovers, and EDM-driven hits, often presented with stylish music videos and idol-style performance aesthetics. Lyrically it centers on love, youth, friendship, and urban life, while occasionally referencing traditional culture through melodic turns or the subtle use of folk instruments. Since the 2010s, V-pop has adopted global pop playbooks—tight hooks, polished vocal stacks, choreographed stages—yet retains Vietnamese language prosody and songwriting cues that keep it distinct.
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Vinahouse
Vinahouse is a high-energy Vietnamese take on club-oriented house and EDM that dominates local dancefloors, bars, and “nonstop” DJ mixes. It keeps the four-on-the-floor thump, big-room builds, and bright supersaw leads of mainstream electro/progressive house, then pairs them with Vietnamese pop (V-pop) hooks, folk-inflected pentatonic melodies, and brisk, party-focused arrangements. In practice, Vinahouse favors punchy drops, catchy toplines, and frequent vocal chops—including sped-up or pitch-shifted refrains—which make it instantly recognizable in Vietnamese nightlife. The sound is engineered for uninterrupted DJ sets (“nonstop”), so tracks often use extended intros/outros, clean phrase structure, and dramatic snare-roll buildups to keep the dancefloor locked in.
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Melodding was created as a tribute to
Every Noise at Once
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