Shifting Paradigm Records

Contemporary folk is a modern evolution of traditional folk aesthetics centered on intimate storytelling, clear melodies, and largely acoustic instrumentation. It favors voice-forward production, fingerpicked or gently strummed guitars, and arrangements that leave space for lyrics to resonate. While rooted in older folk ballad traditions, contemporary folk embraces current themes, production values, and song forms. Artists often blend guitar, banjo, mandolin, fiddle, upright or electric bass, light percussion, and close vocal harmonies, creating a warm, organic sound. The genre frequently addresses personal reflection, social issues, place, memory, and identity, balancing timeless simplicity with contemporary sensibilities.

Contemporary jazz is an umbrella term for post-1970s jazz that absorbs elements of post-bop, fusion, world music, modern classical, R&B, and electronic production. It retains jazz’s core values of improvisation, harmonic sophistication, and ensemble interplay while embracing new timbres, studio techniques, and rhythmic vocabularies beyond traditional swing. Depending on the artist or scene, contemporary jazz may sound acoustic and spacious (ECM-influenced), groove-oriented and electric (fusion-leaning), or harmonically dense and metrically adventurous (post-bop lineage). The result is a flexible, global-facing idiom that treats jazz as a living language, open to new influences, collaborations, and technologies.

Jazz is an improvisation-centered music tradition that emerged from African American communities in the early 20th century. It blends blues feeling, ragtime syncopation, European harmonic practice, and brass band instrumentation into a flexible, conversational art. Defining features include swing rhythm (a triplet-based pulse), call-and-response phrasing, blue notes, and extended harmonies built on 7ths, 9ths, 11ths, and 13ths. Jazz is as much a way of making music—spontaneous interaction, variation, and personal sound—as it is a set of forms and tunes. Across its history, jazz has continually hybridized, from New Orleans ensembles and big-band swing to bebop, cool and hard bop, modal and free jazz, fusion, and contemporary cross-genre experiments. Its influence permeates global popular and art music.

Newgrass (often synonymous with progressive bluegrass) is a modern, exploratory branch of bluegrass that blends the acoustic virtuosity and ensemble interplay of traditional bluegrass with the harmony, rhythm, and songcraft of rock, folk, and jazz. Typical newgrass ensembles keep the bluegrass core—mandolin, banjo, fiddle, acoustic guitar, and bass—while freely adding Dobro, percussion/drum set, piano, and occasional electric instruments. The style favors extended solos, odd meters, sophisticated harmonies, and reinterpretations of non-bluegrass repertoire alongside original songwriting. The spirit of newgrass is adventurous and improvisational: players stretch traditional forms, use complex chord colors and modal harmony, and treat arrangements as living frameworks for creative interplay.

Jazz piano is the art of performing jazz on the piano, combining syncopated rhythms, blues-inflected melodies, and advanced harmony with improvisation. It grew from ragtime and early New Orleans styles into stride, swing, bebop, post-bop, and beyond, developing a vast vocabulary of voicings, comping approaches, left-hand textures, and soloing concepts. The genre spans intimate solo performances to interactive trio settings and orchestral jazz contexts, while remaining rooted in groove, storytelling, and spontaneous creation.

Jazz saxophone refers to the performance practice and repertoire centered on the saxophone within jazz, from early New Orleans and swing styles to bebop, hard bop, modal, avant‑garde, fusion, and contemporary idioms. It is defined by improvisation over blues and song forms, a flexible swing feel, and a wide palette of tone colors and articulations. Players exploit the instrument’s expressive range—from velvety subtone ballads to biting, harmonically advanced lines—using vibrato, growls, overtones, altissimo, bends, scoops, and richly varied articulation. Core saxophone voices include soprano, alto, tenor, and baritone, each associated with distinct timbral and stylistic lineages. Typical harmonic contexts include 12‑bar blues, 32‑bar AABA standards, bebop ii–V–I progressions, modal vamps, and pedal points. Rhythm sections (piano or guitar, bass, and drums) provide a swinging or syncopated foundation that enables call‑and‑response, motivic development, and extended solos.