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SMEJ Associated Records
Japan
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Latin
Latin (as a genre label) is a broad umbrella used by the recording industry to categorize popular music rooted in Latin America, the Caribbean, and the Iberian world, often characterized by syncopated Afro-diasporic rhythms, dance-forward grooves, and lyrics primarily in Spanish or Portuguese. As a marketplace category that took shape in the mid-20th century United States, it gathers diverse traditions—Afro-Cuban, Brazilian, Mexican, and Caribbean styles—into a shared space. In practice, "Latin" spans everything from big-band mambo and bolero ballads to contemporary pop, rock, hip hop, and dance fusions produced by artists of Latin American heritage.
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Drum And Bass
Drum and bass (DnB) is a fast, rhythmically intricate form of electronic dance music centered on breakbeats at roughly 160–180 BPM and powerful, sub‑heavy basslines. It grew out of the UK’s early ’90s rave and jungle scenes, combining chopped funk breaks (most famously the Amen break), dub and reggae sound‑system aesthetics, hip‑hop sampling, and techno’s futurist sound design. Across its many substyles—liquid funk’s soulful harmonies, techstep and neurofunk’s cold, machine‑like bass engineering, jump‑up’s hooky bass riffs, atmospheric DnB’s pads and space—drum and bass remains a DJ‑oriented, dancefloor‑driven genre that prizes tight drum programming, deep low end, and precise arrangement for mixing.
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Electronic
Electronic is a broad umbrella genre defined by the primary use of electronically generated or electronically processed sound. It encompasses music made with synthesizers, drum machines, samplers, computers, and studio/tape techniques, as well as electroacoustic manipulation of recorded or synthetic sources. The genre ranges from academic and experimental traditions to popular and dance-oriented forms. While its sonic palette is rooted in electricity and circuitry, its aesthetics span minimal and textural explorations, structured song forms, and beat-driven club permutations. Electronic emphasizes sound design, timbre, and studio-as-instrument practices as much as melody and harmony.
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Nu Jazz
Nu jazz is a late-1990s movement that blends contemporary electronic production with the improvisational language and harmony of jazz. It keeps jazz’s extended chords, modal colors, and live soloing, but places them over programmed beats, sampled textures, and synth-driven arrangements. Typical tracks feature warm Rhodes or piano voicings, roomy horns, and deep bass sitting alongside house, broken beat, or downtempo grooves. The result is music that feels both club-ready and listening-focused, bridging intimate jazz sensibilities with modern electronic sound design.
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Albums
Fusion
Fauna Flash
FOGBOUND
BOOM BOOM SATELLITES
Atari
Satoshi Tomiie Feat. Chara
メビウス
比屋定篤子
Re-Lick-Ed
Satoshi Tomiie
TRACES
BLue-B
種。
14 "fourteen"
Ridge Racer V Original Game Soundtrack
Various Artists
Fyzikal Encountas
Various Artists
Good Day Afternoon
Chappie
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Artists
Jean-Michel Jarre
Autechre
Inner City
Jeff Mills
DJ KRUSH
Thomas Schumacher
sun electric
The Art Of Noise
LTJ Bukem
Satoshi Tomiie
Ken Ishii
Makoto
DJ Hell
Tetsuya Komuro
Basement Jaxx
Chara
Trashcan Sinatras
Hiyajo Atsuko
BOOM BOOM SATELLITES
Various Artists
Mark Van Hoen
Ishino, Takkyu
Tsuyuzaki, Harumi
Fauna Flash
Nanao, Tavito
Ambivalence
Chaos A.D.
BLue-B
14 "fourteen"
Chappie
G-Force & Seiji
Kawamoto, Makoto
Lori Fine
bird
TRANSFORMER
Hayakawa, Yoshio
Sayuki
Asahi, Miho
Hagio, Masahiko
DJ Oasis
Takagi, Boo
Sonar Circle
LOVE LOVE STRAW
DEV LARGE
Ambivalence
ECHOES
THE CREATOR OF
Fujita, Yoko
HAL FROM APOLLO'69
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Melodding was created as a tribute to
Every Noise at Once
, which inspired us to help curious minds keep digging into music's ever-evolving genres.