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Description

Speed metal is a fast, precision-driven branch of heavy metal that crystallized at the turn of the 1980s. It emphasizes aggressive tempos, tightly synchronized riffing, and virtuosic lead guitar work, while generally retaining melodic, often clean or strident vocals.

Compared with thrash metal, speed metal tends to be less percussive and more melodic, favoring galloping rhythms, twin-guitar harmonies, and classic verse–chorus structures. Drums often employ rapid double-time feels and double-bass patterns, while bass frequently mirrors the rhythm guitar to reinforce propulsion. Lyrical themes range from rebellion and street realism to fantasy, warfare, and sci‑fi.

History
Roots (late 1970s)

Speed metal’s DNA comes from the high-energy strain of late-1970s heavy metal and hard rock, especially the New Wave of British Heavy Metal (NWOBHM). Bands like Motörhead and Judas Priest pushed tempos, attack, and technical precision beyond hard rock norms, while punk rock and hardcore punk injected a raw velocity and no‑frills urgency.

Codification (early–mid 1980s)

By the early 1980s, UK groups such as Raven and mainland European acts like Accept were writing consistently faster, more aggressive metal with clean, cutting vocals and blistering solos. In North America, Canada’s Exciter and the US bands Agent Steel and Riot (V) helped establish a distinct “speed” identity: rapid tempos, galloping riffs, and shredding leads within traditional song forms. This style overlapped with, and in places directly fed into, the emerging thrash scene.

Divergence and Influence

As thrash metal took a harsher, more percussive path, speed metal maintained a more melodic, NWOBHM-informed character. European bands including Helloween and Running Wild developed a brighter, anthemic variant that would catalyze power metal. The discipline, tempos, and neoclassical lead vocabulary of speed metal also informed later technical and neoclassical metal stylings.

Legacy

Speed metal remains a crucial bridge between classic heavy metal and thrash/power metal. Its hallmarks—tight gallops, rapid alternate picking, soaring vocals, and high-tempo drumming—continue to underpin modern power metal and echo through many contemporary traditional/“old‑school” metal revivals.

How to make a track in this genre
Core Tempo and Rhythm
•   Aim for brisk tempos, typically 170–220 BPM. Use galloping feels (eighth–sixteenth–sixteenth) and tight sixteenth-note downpicks to build relentless momentum. •   Drums: employ double-time grooves with frequent double-bass passages, rapid ride/hi-hat patterns, and energetic fills leading into choruses and solos.
Guitars and Harmony
•   Rhythm guitars: palm-muted power-chord riffs with pedal-point figures on the low strings; incorporate twin-guitar harmonies for climactic hooks. •   Lead guitars: prioritize precise alternate picking, rapid scalar runs, legato, tapping, and tremolo picking. Draw on natural minor, harmonic minor, Phrygian, and blues notes for color. •   Common tunings: standard E and E♭ (half-step down); keep action and setups optimized for fast picking clarity.
Bass and Vocals
•   Bass often locks with the rhythm guitar in eighth- or sixteenth-note patterns; add transitional runs into cadences to maintain forward drive. •   Vocals are typically clean, assertive, and high-register. Use sharp, anthemic melodies and strong sustain; occasional grit is fine, but intelligibility and pitch focus are key.
Songwriting and Arrangement
•   Favor concise verse–pre-chorus–chorus structures with a dynamic bridge and a featured guitar solo section. •   Contrast tightly riffed verses with more open, harmonized choruses. Use key changes or modal shifts (e.g., natural minor to harmonic minor) for solo spots.
Production and Practice Tips
•   Guitar tones should be saturated yet articulate; emphasize midrange for note definition at speed. Tight multi-tracking of rhythms enhances impact. •   Practice right-hand endurance (strict alternate picking), gallop endurance drills, and metronome work. Drummers should build stamina for sustained double-bass passages and precise cymbal articulation.
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