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Description

Ratchet music is a minimalist, club-focused strain of West Coast hip hop that coalesced in the early 2010s, most closely associated with Los Angeles producer DJ Mustard. It emphasizes sparse drum programming built from 808 kicks, handclaps, crisp hi‑hats, and simple percussive fills; bouncy tempos around 95–105 BPM; short, catchy synth or piano stabs; and a weighty sub‑bass that leaves ample space for vocals.

Culturally and lyrically, it channels “ratchet” party culture and slang—rooted in Louisiana (notably Shreveport’s nickname “Ratchet City”) and amplified by the L.A. party scene—favoring braggadocio, nightlife, flirtation, and chant‑able hooks over dense lyricism. The result is a stripped‑down, hook‑driven sound engineered for dance floors and radio rotation.

History
Roots (late 2000s–early 2010s)

The word “ratchet” circulated as slang in Louisiana—especially Shreveport (nicknamed “Ratchet City”) and Baton Rouge—alongside local club anthems and chants. At the same time in Los Angeles, the jerk/jerkin’ wave and a residual hyphy influence produced a taste for uptempo, dance‑ready rap built on simple, chant‑able hooks. Producers and DJs began favoring extremely sparse, clap‑driven drum patterns and short, percussive melodic motifs, laying the groundwork for what would soon be called “ratchet” music in L.A.

Breakthrough and codification (2011–2014)

DJ Mustard crystallized the aesthetic: 100 BPM grooves, handclap‑heavy snares, booming but uncluttered 808s, and three‑to‑five‑note synth or piano riffs. This palette powered hits like Tyga’s “Rack City,” YG’s “My Nigga,” 2 Chainz’s “I’m Different,” and Kid Ink’s “Show Me,” pushing the style to U.S. radio and clubs. The sound crossed into R&B as well (e.g., Tinashe’s “2 On,” Jeremih’s “Don’t Tell ’Em”), where the same drum skeleton supported smoother toplines without sacrificing dance‑floor impact.

Evolution and legacy (mid‑2010s–present)

As trap’s hi‑hat volleys and half‑time drops dominated mainstream rap, ratchet production often hybridized with trap elements (808 rolls, darker pads) while keeping its signature swing and negative‑space minimalism. The style influenced pop‑rap and contemporary R&B songwriting, foregrounding call‑and‑response hooks, repetitive earworms, and a clean, radio‑first mix. Even when tempos or textures shift, the ratchet blueprint—sparse drums, sub‑forward low end, and economical melodies—remains a go‑to formula for dance‑oriented hip hop and R&B.

How to make a track in this genre
Tempo and groove
•   Aim for 95–105 BPM (100 BPM is a sweet spot). Keep a straight 4/4 pulse with a lightly swung feel. •   Use sparse but punchy drums: 808 kick, sharp clap/snare on beats 2 and 4, tight closed hi-hats, and minimal percussion fills.
Drums and rhythm programming
•   Kick patterns are simple and syncopated, leaving negative space; avoid dense double‑time trap rolls. •   Layer claps with short, bright snares; rimshots and snaps add club-friendly texture. •   Keep fills short (1–2 beats) to set up hooks and transitions.
Harmony and melody
•   Use one or two minor chords (e.g., i–VI or i–VII) or even a static minor tonality. •   Lead motifs should be very short (3–5 notes), percussive, and instantly memorable—think plucks, piano stabs, bell mallets, or thin synth brass. •   Avoid busy countermelodies; repeat a tight 1–2 bar loop to spotlight the vocal hook.
Bass and low end
•   Sub‑heavy 808 with long decay; program slides/portamento for movement between root notes. •   Carve a pocket for the kick (sidechain or EQ) so the low end stays clean and club‑ready.
Vocals and lyrics
•   Write chant‑able hooks with call‑and‑response potential; keep syllables punchy and rhythmic. •   Themes: nightlife, swagger, flirtation, and party energy. Prioritize cadence and bounce over dense wordplay. •   Stack doubles/ad‑libs selectively to emphasize punchlines and hook anchors.
Arrangement and sound design
•   Typical form: Intro (producer tag) → Hook → Verse → Hook → Verse/Bridge → Hook/Outro. •   Drop elements in and out (e.g., mute the kick for a bar) to create tension without over‑arranging. •   Sound palette: clean 808 kit, bright claps, short percussive leads, occasional FX risers. Keep the mix uncluttered with prominent vocals and sub.
Mixing tips
•   Target loud, radio‑ready drums; compress parallel on the drum bus for snap. •   High‑pass non‑bass elements; tame 2–5 kHz harshness on leads so claps and vocals cut without fatigue. •   Leave headroom for mastering while maintaining punch and clarity.
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