Neoromantic Music

The roots of Neoromanticism lie in the mid-20th century, where composers like Samuel Barber continued to write expressive, tonal music despite the rising tide of modernism.

However, as a distinct movement, it crystallized in the 1970s in the United States.

During the 1950s and 60s, the academic musical establishment was dominated by serialism and experimental avant-garde techniques, which often alienated general audiences.

A pivotal moment occurred when American composer George Rochberg, formerly a serialist, turned to tonality in his 'String Quartet No. 3' (1972) to express personal grief, arguing that the serial language was emotionally insufficient.

Simultaneously, David Del Tredici began exploring a neo-romantic language in his 'Alice in Wonderland' settings, embracing lush harmonies and folk-like melodies.

The movement quickly gained traction, spreading to Europe where composers like Krzysztof Penderecki also abandoned avant-garde textures for a more traditional, dramatic style.

By the 1980s and 90s, Neoromanticism had become a major force in contemporary classical music, heavily influencing film scores and orchestral literature.

To compose Neoromantic music, focus on establishing a tonal center, though you should feel free to use chromaticism and modulation to create tension and color.

Prioritize long, singing melodies (cantabile) that carry a clear emotional arc, often utilizing wide intervals to express yearning or intensity.

Use traditional large-scale forms such as the symphony, concerto, or tone poem to structure your work.

Orchestration should be lush and colorful, utilizing the full dynamic range of the ensemble to heighten dramatic impact.

While you can incorporate modern dissonances, ensure they serve an expressive purpose and eventually resolve or lead to a point of stability.