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Description

Mestissatge (Catalan for "mestizaje") is a Barcelona–centered, Pan–Catalan urban fusion that mixes rumba catalana guitar, ska/reggae off‑beats, Latin and Afro‑Caribbean percussion, rock energy, and hip‑hop vocals.

Born in multiethnic neighborhoods and DIY venues, it favors big brass hooks, dubby bass, rasgueado/“ventilador” strumming, and shout‑along choruses. Lyrics are often multilingual (Catalan, Spanish, French, Arabic, etc.) and balance festive street‑party vibes with social themes around migration, dignity, anti‑racism, and community.

The sound is dance‑forward and portable—from squares and okupas to large festivals—bridging the rumba catalana lineage with global ska/reggae/Latin grooves and contemporary urban pop.


Sources: Spotify, Wikipedia, Discogs, RYM, MB, user feedback and other online sources

History

Origins (late 1980s–1990s)

Barcelona’s late‑20th‑century migration waves and a dense grassroots venue/squat (okupa) ecosystem created a laboratory where Gypsy rumba catalana met Jamaican ska/reggae, Latin rock, and hip‑hop. The rumba’s percussive “ventilador” strum, street percussion, and call‑and‑response fit naturally with off‑beat skanks and dub bass. By the mid‑1990s, bands forming in the Raval and Gràcia districts, along with itinerant musicians from across the Mediterranean and the Americas, crystalized a recognizable, celebratory urban fusion.

Scene consolidation (2000s)

Through the 2000s, Barcelona became a European reference point for urban mestizo sounds. Independent labels, neighborhood festivals (e.g., La Mercè/BAM’s alternative circuits), and a strong busking culture amplified the style. The approach spread through the broader Països Catalans (Catalonia, Valencia, Balearic Islands), catalyzing ensembles that blended rumba strums with ska‑punk brass lines, hip‑hop verses, and Afro‑Latin percussion. Concerts emphasized inclusivity, community choirs, and political/grassroots causes.

Expansion and renewal (2010s–present)

A new generation integrated electronics (dub effects, dancehall, hip‑hop production) and stadium‑sized hooks while retaining street‑band energy. The style’s multilingual, community‑minded ethos carried into large open‑air festivals and civic platforms, influencing Catalan reggae/ska scenes and feeding back into Spanish indie and flamenco‑urban hybrids. Today, mestissatge is less a strict genre than a living practice—an adaptable recipe for festive, socially conscious, multilingual dance music rooted in Catalonia but connected to global mestizo cultures.

How to make a track in this genre

Core groove and tempo
•   Aim for 90–140 BPM. Build a danceable pocket with a reggae/ska off‑beat (guitars or keys hitting the “and” of each beat) and a steady backbeat. •   Layer a rumba catalana “ventilador” strum: percussive rasgueado patterns with ghosted taps on the guitar body, reinforced by palmas (handclaps).
Instrumentation
•   Rhythm section: electric bass with round, dub‑friendly lines; drum kit playing a backbeat or ska two‑drop; Latin/Afro‑Caribbean percussion (cajón, congas, timbales, bongos, guiro). •   Harmony/melody: nylon‑string/flamenco guitar (lead and rhythm), brass section (trumpet, trombone, sax) for riffs and call‑and‑response, occasional accordion or keys/organ for skank and chordal color. •   Production: add dub delays, spring reverb, and drops for dynamic tension; optional hip‑hop/EDM elements (808s, scratches, samples) without losing live‑band feel.
Harmony and form
•   Favor bright diatonic progressions and the Andalusian cadence (i–VII–VI–V) for flamenco/rumba color; flirt with Phrygian inflections on cadences. •   Use verse–pre–chorus–chorus with a strong, chantable hook. Employ breakdowns and rebuilds (dub‑style filters) to lift the crowd into the chorus.
Vocals and lyrics
•   Alternate sung choruses with rap/spoken‑word verses. Feature multiple voices for gang‑shouts and call‑and‑response. •   Write multilingual, socially aware lyrics (community, migration, dignity, everyday joys) in a celebratory, street‑poetic tone.
Arrangement tips
•   Start with percussion + bass, introduce skank and rumba strum, then bring in brass hooks. Leave space for audience participation. •   Keep transitions punchy; use stop‑time hits and percussion breaks to spotlight dancers or MCs.

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